Paul Resnikoff is the Founder and Publisher at Digital Music News. He specializes in the intersection of arts and entertainment, with a keen focus on the music business. Paul has been featured in prominent outlets such as EIN Presswire and NewsBreak, highlighting his expertise and insights in the industry.
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Paul Resnikoff's coverage heavily emphasizes press releases and data citations, indicating a preference for fact-based articles. He predominantly covers the content & publishing industry with an emphasis on the music sector, focusing on topics such as royalties, music streaming platforms like Spotify and SoundCloud, and financial aspects of the music industry.
When reaching out to Paul, consider providing factual data or exclusive insights into developments in the music industry. Press releases that highlight significant changes in royalty structures or updates from major players like Spotify may also be well received. Additionally, offering expert commentary backed by reliable data could help capture his attention. As he does not specify a geographic focus, global perspectives on these topics are likely to be of interest to him.
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Irving Azoff's Global Music Rights (GMR) was noticeably absent from recent Phonorecords V proceedings. So what happened?
Why are major streaming platforms so intent on removing GMR from the Phonorecords V mechanical rate-setting process?
By: Paul Resnikoff
Anthropic is locking horns with Donald Passman, author of the music industry bible, All You Need to Know About the Music Business.
It’s a dizzying time to be in the music industry, with catalog investments and AI-generated mayhem part of a pedal-to-the-metal explosion.
By: Paul Resnikoff
What once looked like a premium afterthought is now materializing into a high-growth, paid subscriber juggernaut at YouTube Music.
By: Paul Resnikoff
Donald Passman has sold more than 500,000 copies of his music industry bible. Anthropic trained Claude on it for a few thousand dollars.
By: Paul Resnikoff
Since 1991, music industry attorney Donald Passman has sold more than half a million copies of his industry survival guide, All You Need to Know
By: Paul Resnikoff
For nearly two decades, YouTube has been a dominant platform in music streaming, though almost exclusively as a free, ad-supported option. Fast forward to
By: Paul Resnikoff
Epidemic Sound offers brands and creators a secure, pre-licensed music solution, avoiding legal risks common on social media.
By: Paul Resnikoff
Shake a stick in this business, and you’ll quickly find a contentious lawsuit involving social media music licensing. Great for the lawyers, as they say, b
