Rebecca Mead is a staff writer at The New Yorker. She focuses on culture and society, exploring themes in fine art, gender issues, and women's interests, while also delving into broader social interests. Rebecca's work has been featured in Magzter, Phys.org, The Conversation Australia + NZ, Vogue Philippines, NewsBreak, British Vogue, Vogue, The New Yorker, and Allure Magazine.
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Rebecca Mead's coverage has a strong focus on entertainment news and evolving stories, with an emphasis on government announcements. Her articles cover a wide range of topics including inequality, neighborhood improvement, dictatorship, prisoner swap, acting, comedy and marriage.
Given the diversity of topics she covers within entertainment news and evolving stories, Rebecca might be interested in pitches related to unique personal experiences or expert analysis in these areas. Consider offering interviews or commentary from individuals involved in theater, music or other forms of entertainment as well as experts who can provide insights into social issues such as inequality and neighborhood improvement that are addressed in her articles.
Since Rebecca focuses primarily on national content within the United States (US), it would be beneficial to tailor pitches to reflect this geographic focus when applicable.
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| Stephen Fry's lifelong bond with the wittiest—and the most tortured—of writers. - BY REBECCA MEAD
Konrad Kay and Mickey Down failed as financiers—but they’re making a killing by depicting the profession on HBO.
By: Rebecca Mead
The late British photographer was drawn to outsider subcultures, among them the working-class youths known as Teds.
The mayor of the small community of Pollica, Italy, has dedicated his life to making people healthier. Will it get him a dinner with Zohran Mamdani?
The director's native city drives him crazy—and drives him to make loony, brilliant films.
“The Queen’s Style,” a new exhibition at Buckingham Palace, offers a lesson in how to make powerful statements without saying a word.
Long before likes and algorithms dictated cultural power, she cultivated an image that has influenced us for decades after her death.
In Paul Graham’s book “A1: The Great North Road,” life along a major British thoroughfare reveals fissures in the nation’s identity.
Remembering David Hockney, the painter known for his colorful, light-filled portraits, landscapes, and still-lifes, who died last week, at the age of 88.
Before Ana Mendieta, the Cuban American artist, became a fellow of the American Academy in Rome, in 1983, she'd never had a studio of her own.
