Robert Barry

In an exclusive extract from their new book, Wild City: Punk Horticulture for a Connected Urban Future, landscape designers Jon Davis and Steve Williams explore a radical new vision for Britain's cities, shaped by art, music, DIY culture and ecology

Its authors may be busy denying that this is the 'rock' album expected by some, but perhaps it is still the best punk album of the decade, finds CJ Thorpe-Tracey

Richie Culver's fourth release of 2026 takes the listener to some dark places (and a fair few pretty ecstatic ones, too)

The artist's canvases record the shapes created by hundreds of notes like a musical score, but the closer you get, the less gestural they appear

The Grammy-winning South African artist's second album is peppered with bangers, but does it hang together as an album? asks Emily Thomas

Unsound's commissioned supergroup recreate the grandeur and glamour of glittering times and iconic buildings

Her first album since the KICK pentalogy began life as a mixtape and still retains the rough energy of that looser, freer format

46 years after their debut, The Durutti Column show no signs of running out of ideas

In an exclusive extract from his new book, Scene Within a Scene: Scottish Indie Music from 1992–2001, Grant McPhee takes us through an oral history of the early days of one of 90s Glasgow's fiercest live bands, Urusei Yatsura

A supergroup of sorts, featuriung members of Jobs, Skeleton and Deerhoof, make a wild freeform sound collage with just enough bright flashes of melody to hold it all together