Sam Eckmann

Welcome to Tony Talk , a weekly column in which Gold Derby contributing theater editors David Buchanan and Sam Eckmann discuss the Tony Awards race.

Skip to content Comedy Series The Bear Hacks Abbott Elementary Comedy Actress Ayo Edebiri Jean Smart Quinta Brunson Comedy Actor Jeremy Allen White Martin Short Larry David Emmy Awards Nominations 2024 Predictions Limited Series Shogun Fargo Lessons in Chemistry Movie/Limited Actress Jodie Foster Brie Larson Juno Temple Movie/Limited Actor Jon Hamm Andrew Scott Tom Hollander Drama Series The Crown The Morning Show The Gilded Age Drama Actress Jennifer Aniston Imelda Staunton Emma Stone Drama Actor Gary Oldman Dominic West Colin Farrell Comedy Series The Bear Hacks Abbott Elementary Comedy Actress Ayo Edebiri Jean Smart Quinta Brunson Comedy Actor Jeremy Allen White Martin Short Larry David Emmy Awards Nominations 2024 Predictions Limited Series Shogun Fargo Lessons in Chemistry Movie/Limited Actress Jodie Foster Brie Larson Juno Temple Florian Hoffmeister (‘True Detective: Night Country' cinematographer) on the ‘constant conversation' between light and darkness [Exclusive Video Interview] May 3, 2024 11:30AM “How would people treat lighting if they spend all their night, and all their winter in darkness?” That's the question that guided cinematographer as he thought about how best to capture the harsh Alaskan environment in “ True Detective: Night Country .” His goal was to explore the contrast of light and dark “not necessarily only from the idea of beautification or aestheticization,” he explains, “but to think about light more in a utilitarian way.” Watch the exclusive video interview above. The latest season of this Max crime mystery takes place in the small town of Ennis, Alaska, which is submerged in constant total darkness for the winter months. Detective Danvers ( Jodie Foster ) and officer Navarro ( Kali Reis ) constantly find themselves looking across the ice into an ominous black void. Only artificial light sources provide any relief from the dark. Hoffmeister describes creating light sources that were “not necessarily always beautiful.” The man-made bulbs of flashlights and fluorescents carry an eerie feeling of discomfort, even though they provide the only respite from void. “They should feel like screaming guitars,” he suggests, “There should be an inherent feeling of danger to it so that you have this feeling that you need them, but they also are more apparent, and brighter, and harsher than in a usual environment.” The composition of each frame of the series appears to be most focused on the place where light and dark meet. “The darkness, I always thought, should feel like if you switch that light off, it'll just swallow you,” explains Hoffmeister, “and between those two points…in the middle of that, this is where the image would live.” Highlighting the extremes of this dynamic informed the ways in which he lit scenes. Sometimes it meant using a single flashlight held by a character, other moments required more robust equipment. “It's a constant conversation actually, that you're having with the darkness,” he notes. The final episode begins with a five minute trip through a winding maze of ice caves, which jettison the show's usual threat of darkness. Light bounces around and through the thick slabs, creating a disorienting but awe-inspiring location. “The technical challenge was authenticity,” describes Hoffmeister, “it still had to feel of the same language, of the same reality as all the other episodes.” In order to accomplish this, the cinematographer mounted lights “that come more from a rock and roll stage” which could cascade a hard light effect against the thick plastic that formed the walls of the set. So, the sequence stays in line with the rest of the season's imagery by playing up the allure and danger of the natural world. “The sense of wonder is something that I really cherish,” says Hoffmeister. Hoffmeister was an Oscar nominee for “Tar.” He won an Emmy Award for the miniseries “Great Expectations,” with additional nominations for “The Prisoner” and “Pachinko.” at Gold Derby now. Download our free and easy app for Apple/iPhone devices or Android (Google Play) to compete against legions of other fans plus our experts and editors for best prediction accuracy scores. See our latest prediction champs . Can you top our esteemed leaderboards next? Always remember to keep your predictions updated because they impact our latest racetrack odds, which terrify Hollywood chiefs and stars. Don't miss the fun. Speak up and share your huffy opinions in our famous forums where 5,000 showbiz leaders lurk every day to track latest awards buzz. Everybody wants to know: What do you think? 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“There was still so much mystery and tension, and I found myself scoring more than I ever scored before in the show with all the new characters,” reveals Siddhartha Khosla. The Emmy-nominated compo…

Skip to content 2024 Lucille Lortel Awards winners: Kecia Lewis and Eli Gelb scoop up victories ahead of Tony Awards May 6, 2024 2:15PM Kristina Bumphrey for Variety Winners of the 2024 Lucille Lortel Awards, honoring outstanding achievements in Off-Broadway theater, were announced on Sunday, May 5, in a ceremony at NYU Skirball. The show was hosted by Rosalind Chao Jen Colella Michael Esper , 2024 Tony nominee Eden Espinosa (“Lempicka”), 2024 Tony nominee Nikki M. James (“Suffs”) and BD Wong . The Lucille Lortel Awards are produced by the Off-Broadway League and Lucille Lortel Theatre, with additional support provided by TDF. It was a banner evening for Ars Nova. Not only did the theater company receive an honorary award for Best Body of Work, their show “(pray)” was also the top winner of the night. This co-production with National Black Theatre took home three trophies including Best Musical, Best Director for NicHi douglas and Best Ensemble. Four other productions earned multiple awards, with “Buena Vista Social Club,” “The Comeuppance,” “ Stereophonic ,” and “Wet Brain” each claiming two prizes. “Stereophonic” is a frontrunner for Best Play at this year's Tony Awards. Playwright David Adjmi wasn't able to win that corresponding prize at the Lortel Awards, as he was bested by critical darling “The Comeuppance.” As it so happens, that play is written by Branden Jacobs-Jenkins who is also up for a Tony Award this year, for the revival of his drama “Appropriate.” It wasn't all bad news for “Stereophonic,” however, as it took home Best Sound Design and the Best Featured Performer in a Play for . Both wins could be repeated at the Tonys in June, though Gelb will have to surge past two of his costars ( Will Brill and Tom Pecinka ) who were not nominated at the Lortels. Of course, competing against a costar didn't hold back from winning Best Featured Performance in a Musical for her thunderous role in “Hell's Kitchen.” Just as with the Tonys, she was nominated alongside castmate Shoshana Bean at the Lortel Awards. See the full list of nominees and winners below: Best Play X – “The Comeuppance” Produced by Signature Theatre Written by Branden Jacobs-Jenkins “Plays For The Plague Year” Produced by The Public Theater Written by Suzan-Lori Parks “Primary Trust” Produced by Roundabout Theatre Company Written by Eboni Booth “Stereophonic” Produced by Playwrights Horizons Written by David Adjmi “Wet Brain” Produced by Playwrights Horizons and MCC Theater Written by John J. Caswell, Jr. Best Musical X – “(pray)” Produced by Ars Nova and National Black Theatre Created by nicHi douglas, with music by S T A R R Busby and JJJJJerome Ellis “Buena Vista Social Club” Produced by Atlantic Theater Company Book by Marco Ramirez, Music by Buena Vista Social Club “Dead Outlaw” Produced by Audible Theater Music and Lyrics by David Yazbek & Erik Della Penna, Book by Itamar Moses, Conceived by David Yazbek “Hell's Kitchen” Produced by The Public Theater Music and Lyrics by Alicia Keys, Book by Kristoffer Diaz “Teeth” Produced by Playwrights Horizons Book and Music by Anna K. Jacobs, Book and Lyrics by Michael R. Jackson Best Revival “Danny and the Deep Blue Sea” Produced by Play Hooky Productions, Seaview, Sue Wagner, John Johnson, Jayne Baron Sherman, Stella La Rue, Roth-Manella Productions, Sony Music Masterworks, Jillian Robbins, David Binder, Folk Productions, Antonio Marion, Daniel Schwartz, Wessex Grove, Stephanie Choate, Hillary Wyatt Written by John Patrick Shanley “I Can Get It for You Wholesale” Produced by Classic Stage Company Book by Jerome Weidman (based on his novel), Music and Lyrics by Harold Rome, Book revisions by John Weidman “Philadelphia, Here I Come!” Produced by Irish Repertory Theatre Company Written by Brian Friel “Sunset Baby” Produced by Signature Theatre Company Written by Dominique Morisseau X – “Translations” Produced by Irish Repertory Theatre Written by Brian Friel Best Solo Show X – “All The Devils Are Here – How Shakespeare Invented the Villain” Produced by Mara Isaacs, Thomas M. Neff, Willette and Manny Klausner, 42nd.Club, Daryl Roth Written and Performed by Patrick Page “I Love You So Much I Could Die” Produced by New York Theatre Workshop Written and Performed by Mona Pirnot “Make Me Gorgeous!” Produced by triangle productions! Written by Donnie, Additional Material by Wade McCollum Performed by Wade McCollum “Sorry For Your Loss” Produced by Audible Written and Performed by Michael Cruz Kayne “Triple Threat” Produced by Brendan Gaul, Brett Henenberg, James T. Lane, and T32 Theatrical Written and Performed by James T. Lane Best Director Daniel Aukin – “Stereophonic” David Cromer – “Dead Outlaw” X – nicHi douglas – “(pray)” Eric Ting – “The Comeuppance” Dustin Wills – “Wet Brain” Best Choreographer Camille A. Brown – “Hell's Kitchen” Graciela Daniele and Alex Sanchez – “The Gardens of Anuncia” X – Patricia Delgado and Justin Peck – “Buena Vista Social Club” nicHi douglas – “(pray)” Raja Feather Kelly – “Teeth” Best Lead Performer in a Play Christopher Abbott – “Danny and the Deep Blue Sea” X – Gabby Beans – “Jonah” William Jackson Harper – “Primary Trust” Nicole Ari Parker – “The Refuge Plays” Josh Radnor – “The Ally” A.J. Shively – “Philadelphia, Here I Come!” Paco Tolson – “The Knight of the Burning Pestle” Best Featured Performer in a Play Arnie Burton – “Dracula, A Comedy of Terrors” X – Eli Gelb – “Stereophonic” Carmen M. Herlihy – “The Apiary” Florencia Lozano – “Wet Brain” Julio Monge – “Wet Brain” Bubba Weiler – “Swing State” Frank Wood – “Toros” Best Lead Performer in a Musical X – Natalie Venetia Belcon – “Buena Vista Social Club” Jeb Brown – “Dead Outlaw” Andrew Durand – “Dead Outlaw” Santino Fontana – “I Can Get It for You Wholesale” Priscilla Lopez – “The Gardens of Anuncia” Alyse Alan Louis – “Teeth” Maleah Joi Moon – “Hell's Kitchen” Best Featured Performer in a Musical Shoshana Bean – “Hell's Kitchen” Rodrick Covington – “Rock & Roll Man” X – Kecia Lewis – “Hell's Kitchen” Jessica Molaskey – “The Connector” Steven Pasquale – “Teeth” Mel Semé – “Buena Vista Social Club” Thom Sesma – “Dead Outlaw” Best Ensemble X – “(pray)” Ariel Kayla Blackwood, S T A R R Busby, Ashely De La Rosa, Tina Fabrique, Satori Folkes-Stone, Amara Granderson, Taylor Symone Jackson, Ziiomi Louise Law, Aigner Mizzelle, Gayle Turner, Darnell White, D. Woods “The Comeuppance” Brittany Bradford, Caleb Eberhardt, Susannah Flood, Bobby Moreno, Shannon Tyo “Flex” Brittany Bellizeare, Christiana Clark, Eboni Edwards, Renita Lewis, Erica Matthews, Ciara Monique, Tamera Tomakili Best Scenic Design Jason Ardizzone-West – “shadow/land” Arnulfo Maldonado – “Buena Vista Social Club” Arnulfo Maldonado – “Dead Outlaw” X – Kate Noll – “Wet Brain” David Zinn – “Stereophonic” Best Costume Design Dede Ayite – “Buena Vista Social Club” Enver Chakartash – “Stereophonic” Linda Cho – “The Half-God of Rainfall” DeShon Elem – “(pray)” X – Lux Haac – “Manahatta” Best Lighting Design X – Amith Chandrashaker – “The Comeuppance” Jiyoun Chang – “Stereophonic” Jen Schriever – “Spain” Cha See – “Wet Brain” John Torres – “Danny and the Deep Blue Sea” Best Sound Design Tei Blow & John Gasper – “Wet Brain” Jonathan Deans – “Buena Vista Social Club” Palmer Hefferan – “The Comeuppance” X – Ryan Rumery – “Stereophonic” Mikaal Sulaiman – “(pray)” Best Projection Design 59 Productions – “Corruption” X – Nick Hussong – “Wet Brain” Jared Mezzocchi – “Poor Yella Rednecks” Jared Mezzocchi – “Russian Troll Farm” Jeanette Oi-Suk Yew – “The Connector” HONORARY AWARDS Lifetime Achievement Award Ruben Santiago-Hudson Playwrights' Sidewalk Inductee Dominique Morisseau Best Body of Work Ars Nova Make your predictions at Gold Derby now. Download our free and easy app for Apple/iPhone devices or Android (Google Play) to compete against legions of other fans plus our experts and editors for best prediction accuracy scores. See our latest prediction champs . Can you top our esteemed leaderboards next? Always remember to keep your predictions updated because they impact our latest racetrack odds, which terrify Hollywood chiefs and stars. Don't miss the fun. Speak up and share your huffy opinions in our famous forums where 5,000 showbiz leaders lurk every day to track latest awards buzz. Everybody wants to know: What do you think? Who do you predict and why? Who Needs a Tony to Reach EGOT? Leave a Reply Notifications View Settings Close ad We Care About Your Privacy We and our partners store and/or access information on a device, such as unique IDs in cookies to process personal data. 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