Sarah Shachat

Production designer Chloe Badner tells IndieWire why working on the Dropout series is as much of a gift for an ADHD brain as watching it is.

A good secret agent needs to be aware of their environment at all times — the entrances, exits, false walls, eyelines. So do good television storytellers.

Writer Jack Thorne and director Marc Munden tell IndieWire about digging deeper into the William Golding book than what's on the page.

Costume designer Kathleen Felix-Hager tells IndieWire about recreating an iconic Carol Burnett look for Deborah's sellout New York show.

Writer and director Boots Riley tells IndieWire why "pulling a Peter Greenaway" is important to creating the visual stories he wants to tell.

Cinematographer Darran Tiernan tells IndieWire about reversing 25 years of training to craft a bold visual style for "Spider-Noir."

[Editor's Note: This piece contains spoilers for “ I Love Boosters .”] “I Love Boosters” has a lot going on.

Comedian Josh Johnson and director Jacob Menache tell IndieWire about the HBO special 'Symphony' that marks a new phase in Johnson's comedy.

'Hacks' cinematographer Adam Bricker tells IndieWire about the joys of getting to always have Paris, and also five seasons of an HBO series.

The uncanny nature of liminal spaces and specifically the idea of endless, extradimensional backrooms have been a part of filmmaker Kane Parsons' life