Sean Axmaker is a DVD critic and freelance film writer. He specializes in the film industry, covering topics such as filmmaking and entertainment news, with a particular passion for silent films and noir. His work has been featured in The Spokesman-Review, Yakima Herald-Republic, The Seattle Times, Slant Magazine, and MSN.
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What to watch in May on Netflix, HBO Max and other streaming services
By: Sean Axmaker
Here's what's coming to Netflix, Hulu, Disney+, HBO Max, Prime Video, Peacock, Paramount+ and other streaming services in May.
Lancelot du lac (France,1974), Robert Bresson 's Arthurian drama, is anything but romantic.
Yasujiro Ozu ‘s There Was a Father (Japan, 1942) is an indisputable masterpiece. Though made while Japan was gripped in the nationalist fervor of
By: Sean Axmaker
The Only Son (Japan, 1936) is on the tragic end of the spectrum of Yasujiro Ozu ‘s cinema, a drama of disappointment in an era of economic hard
This year's edition of the festival brought us 18 features and seven shorts, all presented with live musical accompaniment.
Here's what's coming to Netflix, Hulu, Disney+, HBO Max, Prime Video, Peacock, Paramount+ and other streaming services in June.
By: Sean Axmaker
Here's what's coming to Netflix, Hulu, Disney+, HBO Max, Prime Video, Peacock, Paramount+ and other streaming services in June.
By: Sean Axmaker
D.O.A. (1949) has one of the great opening hooks in the annals for film noir
Matthew McConaughey is in prime form as Killer Joe William Friedkin ‘s southern fried trailer park noir with an undercurrent of black comedy.
