Simon Thompson is a Senior Key Account Manager with a diverse writing portfolio. His articles can be found on platforms such as Bachtrack.com, WhatsOnStage, The Times, CW (Cambridge Wireless Ltd), arXiv, theartsdesk.com, and blogarama. Simon covers a wide range of topics including music, theater, technology, and more.
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Edinburgh, United Kingdom (Local)
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Simon Thompson's coverage predominantly consists of reviews in the entertainment news space, particularly focusing on music and concerts. Given this focus, he would likely be interested in receiving pitches related to upcoming music releases, concert performances, or festivals within the classical music genre.
It could also be beneficial to provide him with early access to new releases or exclusive interviews with musicians and conductors for events he is likely to cover based on his previous articles.
As there is no specific geographic focus mentioned for Simon Thompson, pitches should highlight international as well as local events relevant to his areas of interest.
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By Simon Thompson , 18 August 2024 There's already a review on Bachtrack of Sir Mark Elder conducting Mahler's Fifth Symphony this summer, and there could have been several more.
As retailers are stocking up for the holiday season, they will inevitably find themselves face to face with a familiar yet increasingly complex challenge: supply...
By Simon Thompson , 10 September 2024 It feels like a miniature miracle hearing the great soprano Véronique Gens singing in, of all places, the
By: Simon Thompson
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Grime’s memorably creepy song cycle, which opened the BBC Scottish Symphony Orchestra’s season at City Halls Glasgow, draws on the folklore of the Isle of Man
By: Simon Thompson
By Simon Thompson , 28 September 2024 Most of the time when I go to hear the Scottish Chamber Orchestra , they're playing in one of their
By Simon Thompson , 06 October 2024 Thomas Søndergård began a Mahler cycle with the Royal Scottish National Orchestra when he was first appointed Music Director in 2018.
By: Simon Thompson
The large-scale touring production will visit venues across the nation over the coming months
Writer/director Thomas Sieben’s Home Sweet Home is an impressively made, yet strangely empty movie, that tries to cram in so many narrative strands that it ends up diminishing a simple and effective three act structure in the process. Although Sieben’s sheer ambition in filming this movie in the way that he did is something to be commended, pesky details like a fleshed out supporting cast and slow, carefully crafted tension are pushed aside harder than someone hawking multiple copies of John Romero’s Daikatana.
By: Simon Thompson
The world premiere Julia Donaldson and Axel Scheffler stage adaptation will be on the road until 4 June 2025
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