Simon Thompson is a Senior Key Account Manager with a diverse writing portfolio. His articles can be found on platforms such as Bachtrack.com, WhatsOnStage, The Times, CW (Cambridge Wireless Ltd), arXiv, theartsdesk.com, and blogarama. Simon covers a wide range of topics including music, theater, technology, and more.
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Simon Thompson's coverage predominantly consists of reviews in the entertainment news space, particularly focusing on music and concerts. Given this focus, he would likely be interested in receiving pitches related to upcoming music releases, concert performances, or festivals within the classical music genre.
It could also be beneficial to provide him with early access to new releases or exclusive interviews with musicians and conductors for events he is likely to cover based on his previous articles.
As there is no specific geographic focus mentioned for Simon Thompson, pitches should highlight international as well as local events relevant to his areas of interest.
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By: Simon Thompson
Glasshouse, Gateshead
By: Simon Thompson
Scaling the heights of Saints Matthew and John within a week
Felipe Vargas’s Carnivora is a bloody, tense, and spectacularly paced short film which at a taut twelve minutes is definitely worth your time. The short tells the story of two sisters Maribel, (played by Carmela Zumbado) and Ana, ( played by Gigi Zumbado). Ana has left the siblings’ hometown to live in Chicago, while Maribel has elected to stay to take care of their sick grandmother (Julia Vera), since their mother who was in charge of her wellbeing has mysteriously disappeared and neither sibling knows how or why. As the story progresses further, however, it becomes abundantly clear that this seemingly frail old lady is hiding some kind of terrifying secret.
Writer/director Paul Duane’s All You Need Is Death is a movie that I can best describe as a big pot of stew with many ingredients that work well on their own, but slapped together into one dish sadly don’t quite coalesce.
I have a huge soft spot for 1980s American horror. With the tinted neon, synth soundtracks, colourful visuals, and atmosphere of something dangerous lurking underneath safe suburbia- that era and aesthetic has a special place in my heart.
By: Simon Thompson
By Simon Thompson , 12 April 2024 Thomas Adès is probably best known in the musical world as a composer, but he's also an in-demand performer
Jon Rhoads and Mike Marrero’s Party Time is a snappy screwball comedy mix of both a heist story and a horror movie. Utilizing a strong 1970s-80s color palette strongly reminiscent of Cassavetes, Carl Reiner, Steven Soderbergh, Rob Reiner, and Martin Scorsese’s 80s comedies such as After Hours and King Of Comedy, the movie is an enthusiastic and well-made endeavor which, sadly, falls a little flat.
By: Simon Thompson
Glasshouse, Gateshead
Orla O’Loughlin directs the latest standalone entry of Rona Munro’s acclaimed James Plays
Director and screenwriter David A Roberts’s Older Gods is a dimly-lit, congested, and featureless viewing experience which somehow managed to make a one hour and twenty-two minute movie feel like five hours. Watching this movie was so dull, that I felt I was trapped in some sort of Hunter X Hunter exam- style time trial with my laptop to see how long I could last without getting up to put the kettle on.
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