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From the article titles, it's evident that Steve Likoski mainly covers entertainment news and music-related content. His focus on private sector announcements suggests he may be interested in exclusive releases or updates directly from artists, record labels, or other industry insiders.
Given his coverage of expert commentary at 18%, there is a possibility for him to engage with experts who can provide unique insights into the music industry trends and emerging talents. Artists looking to promote their new singles, albums, or any significant career moves might find success by reaching out.
As Steve does not have a specific geographic focus mentioned, outreach related to artists and music events from various locations could be relevant.
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By: Steve Likoski
The wait is over – Mariah Carey is back and she’s “Here For It All”. The elusive best-selling female artist of all time (yep, over 200 million records sold) just dropped her first studio album in seven years via gamma, and it’s everything we wanted and more.
By: Steve Likoski
Demi Lovato’s latest single, “Kiss,” marks a confident return to the dance floor - a glittering, tongue-in-cheek anthem
By: Steve Likoski
Even when things get complicated, aespa's message is simple: keep moving forward, trust yourself, and turn the negatives into positives.
Cara Delevingne steps into music with remarkable vulnerability, feeling less like a celebrity side-project and more like the arrival of an artist who’s been quietly building towards this moment for years. Across the tracks “I Forgot” and “Out of My Head”, Cara delivers an immersive seven-minute journey through dissociation, anxiety, self-discovery and survival. The accompanying
By: Steve Likoski
For much of her career, Bebe Rexha has existed between pop superstar and industry underdog. She has written chart-topping hits, collaborated with some of the biggest names in music and amassed billions of streams worldwide, yet she has often spoken openly about the frustrations of navigating the modern music industry. Now, with the release of Dirty Blonde, Bebe Rexha finally gets to tell her story entirely on her own terms.
There was always something immediately recognisable about the opening seconds of NewJeans‘ ETA. The horns arrive first. Loud, clipped and insistent, they cut through the song before the vocals have a chance to settle in. Underneath them, the drums move with the restless energy of Baltimore club. It is one of the reasons “ETA” stood
