Steven Vargas

Moments in flux vibrate with an intimate frequency in RF. Alvarez's new paintings. Flowers bloom and relationships breathe in moments just before or after action.

A textile artist in Ranchos de Taos combines his background in fashion with traditional weaving.

Motion capture has been a staple of film, TV, and gaming for multiple decades. And dancers, as expert movers, are often involved in the recording process. But, recently, artificial intelligence has led to advances in performance-capture and animation technology, making it simpler to record, analyze, and digitally re-create a person’s movements. (Those clunky sensors might soon be a thing of the past.) While these changes have the potential to streamline the motion-capture process, they also introduce new questions about the future of artistic production—and dance artists’ role in it.

This week we're sharing tributes to all of the 2025 Dance Magazine Award honorees . For tickets to the awards ceremony on December 8, visit store.dancemedia.com

Gay comedian Andrew Stier wanted to foster a community of queer comics when he moved to L.A., so he made a comedy show. What he got was a growing production revealing queer people are meant to roast.

In June, L.A. Dance Project will mount the U.S. premiere of "City of Dance," a series of free public performances in Los Angeles.

Choreographer Benjamin Millepied's L.A. Dance Project is taking its work to the streets of Los Angeles over a period of two weeks with free performances at LACMA's David Geffen Galleries, Hollywood Forever Cemetery and Hollyhock House at Barnsdall Art Park.

As major dance institutions like Bodytraffic and L.A. Contemporary Dance Company close their doors, dancers still persevere. Here's how.

From Cedars-Sinai psych ward to Upright Citizens Brigade stage, Teruko Nakajima turns a doctor’s “prescription” for comedy into an one-woman show.

César Alvarez's 'The Potluck' raises five ghosts of the Greensboro Massacre, then can't quite keep hold of them.