Stuart Dredge is a journalist who writes for Music Ally and various other publications. His focus is on the music industry, covering topics such as streaming services, marketing campaigns, artificial intelligence, and the impact of social media on music.
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Stuart Dredge's coverage primarily focuses on content and publishing, particularly in the music industry. His articles often feature press releases and private sector announcements regarding music festivals, startups, vinyl records, AI in the music industry, music consumption, and overall trends within the sector.
Given his reliance on press releases and private sector announcements for article material, individuals or organizations looking to capture Stuart's attention should consider offering exclusive insights into emerging trends or providing access to newsworthy data related to these topics. Additionally, he may be interested in interviews with key figures from companies making significant strides within the music industry or those involved in innovative projects at the intersection of technology and music.
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Ircam Amplify's Nathalie Birocheau speaking at Music Ally NEXT
Much has been written about artists burning out under the pressure to be always-on social-media mavens across every platform. However, another issue in the modern music landscape is the abuse they can face on social media.
We’ve reported before about Kakao, the parent company of South Korean streaming service Melon, buying a significant stake in music company SM Entertainment (SME).
Live Nation and Snapchat’s parent company Snap have been working together for some time. Their relationship stretches back to a Live Stories deal in 2015; and more recently AR experiences at concerts and festivals.
Ever since the release of Beyoncé’s ‘Cowboy Carter’ album earlier this year, there’s been a wealth of discourse online about the music, its influences and its impact on the country music industry.
SoundCloud has rolled out a new group of playlists focused on new music. There are ‘Buzzing Playlists ‘for electronic music, hip-hop and rap, pop and R&B, but it’s the feeder system determining which tracks are featured that’s interesting.
Live Nation reports impressive financial results despite the threat of an antitrust lawsuit. Revenues of $3.8bn in Q1 2024, with 26% growth for concerts.
The message from streaming services in recent times has been that price rises haven’t seen a notable rise in ‘churn’ – people cancelling their subscriptions. Payments technology company Bango has a different take.
Hybe's Q1 revenues down by 12.1% YoY. Concert revenues surge by 74.5% amidst concerns over BTS hiatus.
Fitness-tech firm Peloton was a big winner from the initial wave of Covid-19 lockdowns, but more recently its mojo has faded with technical issues, layoffs and a regularly-promised turnaround in its business that has yet to arrive.
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