Susie Goldsbrough is the Deputy Literary Editor at [Employer]. She specializes in arts and entertainment, with a focus on the film industry and filmmaking, while also exploring themes of family and relationships. Susie's work has been featured in prominent publications such as The Atlantic, New Statesman, Air Mail, The Times, and The Australian Financial Review.
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Susie Goldsbrough's coverage primarily includes reviews of literature, poetry books, and cultural events. She may be interested in pitches related to newly released literary works, especially those by younger or emerging writers. Additionally, she appears to cover a broad range of entertainment news.
Considering her focus on reviewing literature and poetry books as well as her interest in entertainment news and house & home topics, Susie might find pitches related to author interviews, book launches, literary events review invitations or trends in the literary world particularly relevant.
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By: Susie Goldsbrough, Will Hodgkinson
Our critics round up their picks of the latest releases from Paul McCartney to Stormzy
By: Susie Goldsbrough, Laura Hackett, Johanna Thomas-Corr, Robbie Millen
Our critics choose their recent favourites including Elizabeth Strout’s latest tearjerker and a Booker-shortlisted Doris Lessing novel
By: Susie Goldsbrough
The Woman’s Hour presenter’s new series with female guests, including Meera Syal and Gisèle Pelicot, is thoughtful and incisive
By: Susie Goldsbrough
A new production of Cole Porter’s musical has opened at the Barbican, starring Freddie Fox and Felicity Kendal. It’s a sign of our romanticism
By: Ed Potton, Susie Goldsbrough, Jonathan Dean, Jake Helm, Kevin Maher
According to Quentin Tarantino no good films have been made since the pandemic. Not true, says our panel of experts — hasn’t he seen any of these?
Eight lost love notes by the Romantic poet to Fanny Brawne will go on sale at Sotheby’s next week. They’re a poignant insight into the mind of a dying young genius
This affecting documentary shows what anyone whose life has been touched by dementia will already know — but there’s one problem
By: Susie Goldsbrough
Bleak Week is a festival of the ‘cinema of despair’, screening tragic films from Threads to Breaking the Waves. Susie Goldsbrough dived in
By: Susie Goldsbrough
As a new Netflix adaptation hits TV screens, Susie Goldsbrough revisits Laura Ingalls Wilder’s thrilling series of books
By: Susie Goldsbrough
You won’t persuade me that The Office is a comedy: it’s a tragedy with brilliant gags. Meanwhile, Ricky Gervais’s YouTube special looking back at the series is merely self-indulgent
