Tom May is a writer and editor at Creative Boom. He specializes in AI, technology, and design, with a strong focus on arts and entertainment, photography, and consumer tech. Tom's work has been featured in notable publications such as Kerrang!, T3, and TechRadar.
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Tom May's work predominantly covers the themes of art, design, creativity, and branding. He engages in expert commentary and press release coverage.
Given his focus on these topics, he would likely be receptive to pitches from experts or professionals who can provide unique insights into emerging trends in the creative industry. This could include discussions around innovative design techniques, new approaches to branding or marketing strategies within the arts sector.
Considering Tom’s diverse range of article titles covering various aspects of art and design such as festivals, brand identity creation and future creative trends - individuals with expertise across these areas may find their contributions well received by him.
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By: Tom May
These specs are packing some seriously impressive, er, specs. Can they finally bring augmented reality into the mainstream?
By: Tom May
What actually happens when you leave your comfy job and start from scratch? We chat to agency founders to hear their stories.
By: Tom May
A new ultra-efficient 3D camera inspired by jumping spiders could reshape how drones, robots and wearables see.
By: Tom May
From decayed Polaroids to gold-leafed botanicals, IPE 167 proves photography remains a powerful tool for confronting the world.
By: Tom May
The software giant is upgrading AI, from character consistency to app-specific AI assistants.
By: Tom May
The mixed-reality headset can take a flat photograph and turn it into an immersive 3D space
By: Tom May
In an age of algorithmic sameness and AI-generated everything, a new show reminds us what human imagination actually looks like.
By: Tom May
Blanche Mortemard's blurry, lens-flared shots of Iceland reveal a fundamental truth about photography.
By: Tom May
A new exhibition reveals decades of hidden color work by the French master that borders on intoxicating.
Tom May is a long-time writer for the News and Tribune who can be reached at [email protected]
