Tom Shone is a film critic at The Sunday Times. He focuses on arts and entertainment, particularly film and cinema, while also exploring themes of culture and society. Tom's work has been featured in prominent publications such as The Times, The New York Times, and Vogue.
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Tom Shone's coverage primarily consists of film reviews and entertainment news, with a focus on film scores, best films, Christmas movies, film directors, and general film reviews. He may be interested in pitches related to new releases or retrospectives on classic films.
Given the nature of his articles as predominantly review-based content, he is likely to respond well to pitches that involve exclusive access to filmmakers or actors for interviews. Additionally, if you have unique insights into upcoming movie releases or trends within the film industry such as emerging directors or notable achievements in film scoring, these could also capture his interest.
As there is no specified geographic focus for Tom Shone's work, pitches should align with his broad international scope when relevant.
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Finding Emily is a lively tale of mismatched strangers and one student’s quest to track down his dream date
The actress joins Richard E Grant in Savage House, a period comedy about two slithering social climbers
Buzz, Woody and co worry about their place in the world as screens grab children’s attention. Plus, Virginia Woolf’s Night & Day
The Danish star plays a man with an identity disorder who thinks he is the Beatle in jet-black comedy The Last Viking
In Rosebush Pruning, the Baywatch star leads a cast of rich rogues behaving badly, shot like a spread in Vogue. I didn’t know whether to be titillated or horrified
By: Tom Shone
How do you follow Oppenheimer? By spending £250m bringing Homer’s epic poem to the big screen in Imax. Today’s most powerful director talks big swings, trauma-bonding and the healing powers of chocolate labrador Charlie
By: Tom Shone
Tom Shone default “I'm in that moment of sheer terror,” says Christopher Nolan, sitting in a suite at the Corinthia hotel in London, in a slightly rumpled suit, next to a pot of tea.
Christopher Nolan has turned Homer’s epic into a breathtaking film. Three hours fly by with Matt Damon, Anne Hathaway and a great movie monster
It’s a good rule of thumb that the dumber the sport, the better the film. And by that reckoning The Dink is worth a watch
Spider-Man: Brand New Day is a memorable blockbuster with on-screen chemistry and an ingenious new villain
