Vicky Jessop is a Commissioning Editor and Culture Writer at The Standard. She specializes in a variety of topics within the arts and entertainment realm, including TV, gaming, music, film, tech, and travel, while also exploring themes related to the fashion and beauty industries. Vicky's work has been featured in prominent publications such as MSN, Yahoo Sports UK, and NME.
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Vicky Jessop's coverage predominantly revolves around entertainment news, including TV shows and gaming. She frequently provides reviews and seasonal content related to the entertainment industry.
To effectively pitch to Vicky, consider offering exclusive insights or access to personalities in the entertainment industry, particularly those relevant to TV shows and gaming. Additionally, providing expert commentary on trends within these industries could also capture her interest.
Given her local focus on London and the UK, pitches with a regional angle may resonate well with her audience.
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A banana taped to a wall as part of an art piece worth $6.2m (£4.9m ) has been stolen from an exhibition in France.
The arguments have already begun about God Of War Laufey and the fact that it has a new, female protagonist but why does that fact upset some gamers so much?
Switch your brain off to enjoy this twisty mystery drama
Viewers are deserting in droves, reviews are lukewarm - and it's not hard to see why. It's time to let the franchise rest in peace
What was once a revolutionary series has become a meandering, frustrating mess - and it's all down to Jeremy Allen White's main character
LA chic meets Seattle cool in this modern remix
By: Vicky Jessop
With remake Assassin's Creed Black Flag Resynced due out this month, what is it about the historical action series that has kept it popular for almost two decades?
Annapurna Interactive's latest release tries to ask big questions about AI, while also being a cosy puzzle game about helping your fellow citizens.
A kick-flipping ode to the Japanese underground system is gaming’s least authentic train simulator, and all the better for it.
A kick-flipping ode to the Japanese underground system is gaming's least authentic train simulator, and all the better for it.
