Vinson Cunningham is a critic at The New Yorker. He focuses on culture and society, with particular emphasis on theatre, arts and entertainment, and cultural movements, while also exploring internet and pop culture. Vinson's work has been featured in The New Yorker, NewsBreak, Magzter, Realclearpolitics, and The New York Times.
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Vinson Cunningham's articles cover a wide range of topics from entertainment news, lifestyle, culture & society. They also explore various themes such as art, period drama, French culture, faith and dining out. Cunningham often includes expert commentary and focuses on industry-specific insights.
If you are looking to reach out to Vinson with a pitch or expertise in an area he covers, consider providing unique perspectives on the intersection of entertainment and cultural trends or offering insights into industry-specific developments related to his coverage areas. If your expertise aligns with any of the specific topics covered by Cunningham like scams, art or theater be sure to highlight that aspect in your outreach.
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The bio-pic places the so-called King of Pop back at the center of the culture, putting a fresh coat of varnish on the star’s troubled legacy.
A new slate of cultural offerings presents divergent ideas about the struggles men and boys face today—and how to resolve them.
For the first time since 1999, the New York Knicks are eagerly awaiting the N.B.A. Finals. Vinson Cunningham appreciates the artfulness of the game, but “when the Knicks are on, playing prettily or not, I am a foulmouthed partisan,” he writes.
A recording from David Remnick's live video
By: Louisa Thomas, David Remnick, Vinson Cunningham
A recording from David Remnick's live video
By: David Remnick, Louisa Thomas, Vinson Cunningham
On the Spurs suddenly going cold in the second half, the Knicks erasing a twenty-nine-point deficit, and the miracle of OG Anunoby.
A joyous parade up the Canyon of Heroes proved a fitting celebration.
The director Christopher Nolan has been accused of “woke-ifying” Homer’s epic. But finding new resonance in ancient texts is part of the art of translation itself.
A new game show features celebrities competing for the title of “Nation’s Dumbest.” How did stupidity become a badge of honor?
By: Naomi Fry, Vinson Cunningham, Alexandra Schwartz
The 1997 album marked a crossroads for hip-hop, as the genre was being torn between elaborate mythmaking and a kind of true crime.
