Vivienne Chow is a London Correspondent at artnet. Based in London, she covers the art market and the art world with a focus on Europe and Asia, delving into topics such as fine art, digital art, and urban art. Vivienne's work has been featured in prominent publications including Variety, artnet, and the Financial Times.
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Vivienne Chow's articles predominantly cover the art market, including sales, exhibitions, and events. She also delves into cultural and societal aspects related to art. Based on this information, potential outreach could include providing insights or commentary on trends in the global art market, analysis of auction results from major houses such as Christie’s or Phillips in Asia-Pacific. Additionally, offering unique perspectives on significant developments within the international art world may capture Vivienne’s attention.
Given her focus on specific events and data-driven content alongside press releases and government announcements pertaining to arts and culture, consider approaching with factual information backed by credible sources when reaching out for coverage consideration.
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From migration to technology, these artists deal with the most urgent topics of our time.
The editors of The Asia Pivot have selected key solo exhibitions for between-fair viewing.
Experts said allocating proceeds from tourist tax to subsidize cultural infrastructure is a more sensible alternative.
By: Vivienne Chow
A low-down on Art Basel Hong Kong and South Asian art auctions in New York, Labubu's movie deal, and a lot more.
By: Vivienne Chow
Sales totals have fallen in the city in recent years. Two white-glove affairs provided positive energy.
This article is part of the Artnet Intelligence Report: Year Ahead 2026. Drawing on in-depth analysis of the past year's market performance, the latest edition offers a data-driven snapshot of the art world today—from recent auction results to the artists shaping the global conversation.
Led by a $4 million Picasso, the top end of the market fared better at Asia's biggest art fair this year.
By: Vivienne Chow
Hong Kong collector and patron Alan Lau has developed an A.I. curatorial system, and a new record was set for South Asian art.
By: Vivienne Chow
The controversy surrounding the renaming of the “ Taiwan Pavilion” at the upcoming edition of the Gwangju Biennale , opening next month, has escalated to an international diplomacy dispute.
Among the solo presentations of 20th-century artists that make up the new Spotlight section is the Myanmar artist whose striking work expands the story of minimalism
