Waldemar Januszczak is the chief art critic at The Sunday Times. He specializes in fine art, arts and crafts, and cultural movements, drawing connections between regional interests and world news within the arts and entertainment landscape. Waldemar has been featured in The Times and WebWire - Press and News Release Distribution.
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Waldemar Januszczak's articles primarily concern art and culture. He covers a wide array of topics within art, including exhibitions, artists, and art history. His work includes opinion editorials, event coverage, and reviews.
When reaching out to Waldemar Januszczak for potential collaborations or pitches related to his themes covered such as Art Exhibitions or Art History would be well-received. As he frequently writes opinion pieces on various subjects related to arts and culture, providing unique insights into current trends in the art world could also capture his interest.
Although there is no specific geographic focus provided for Waldemar Januszczak's coverage attributes suggest that he may take an international approach to covering global cultural events.
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It was my mother who told me about the joyful treasures in the Iranian city of Isfahan. But they are under threat again in the latest conflict
Some ‘lost female painters’ are only lifted out of the crowd because they are women. Michaelina Wautier is a giant oozing confidence, cleverness and class
From Velazquez to da Vinci, artists through the ages have been obsessed with the symbol of rebirth and spring
A new show got me thinking about the most telling reds and the painters who used the sexiest colour — from Titian to Monet, Turner to Van Gogh
By: Waldemar Januszczak
It turns out that the artist wasn’t a lone lunatic — he was joined by a tremendous artistic cast and it’s fascinating to see
By: Waldemar Januszczak
The artist became a wizard with the pliers at 11 and went on to invent the mobile. His spirit of fun never left him — this show at the Fondation Louis Vuitton is a revelation
Do whatever it takes to see the Spanish master Zurbarán at the National Gallery. He turns female saints into exquisite visions from the catwalk
By: Waldemar Januszczak
I was enjoying a free gin and tonic guiltily when a sinister Russian spiv started taking my picture on his mobile phone. That’s when I scarpered
The artist was insufferably pretentious with his monocle, affected Southern drawl and taste for straw hats. But check his exhibition at Tate Britain — he’s been underestimated
By: Waldemar Januszczak
As our art critic wandered through the exhibition of Britain’s wartime leader’s paintings at the Wallace Collection, a difficult question kept popping into his head
