Zachary Woolfe is an Obituaries Editor at The New York Times. He has spent much of his journalism career covering the music world, with a focus on classical music, arts, and entertainment, while also engaging with themes in theater. Zachary's work has been featured in SurroundArt, The New York Times, The Seattle Times, and The Boston Globe.
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Zachary Woolfe's coverage is heavily focused on reviews and event coverage in the field of classical music, particularly opera. His articles include features about specific performances, composers, and musicians.
To effectively reach out to Zachary, consider offering unique insights into upcoming or ongoing events in the classical music world such as new opera productions, noteworthy performances by renowned artists or emerging talents. Additionally, if you have expertise in analyzing and critiquing aspects of classical music performances or compositions, your input may be valuable for his review-focused pieces.
Given Zachary’s local focus on the United States and his emphasis on performance reviews within this geographic area like "The Philharmonic Feasts on ‘The Planets’," ensure that any pitches are relevant to events taking place within the country.
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By: Zachary Woolfe
Brendel, who died on Tuesday at 94, concentrated on a small number of canonical composers, mainly Haydn, Mozart, Beethoven and Schubert.
A Monteverdi masterpiece and a new work by George Lewis are played simultaneously in an American Modern Opera Company production at Lincoln Center.
In this short piano piece, an intimate song without words, Brahms holds back the tears, which makes it heartbreaking.
By: Corinna Da Fonseca-Wollheim, Joshua Barone, David Weininger, Arya Roshanian, Zachary Woolfe
Watch and listen to recent highlights, including “The Comet/Poppea,” a Dave Malloy song cycle and a soprano’s surprise turn at the Metropolitan Opera.
The director, one of the most influential in opera, is staging new productions in New York, France and Austria this summer.
By: Zachary Woolfe
Des Moines Metro Opera has become one of the country’s most successful smaller companies doing adventurous repertory in a 467-seat space.
Calm and graceful, this cello piece by Bach slowly dances through hopefulness, longing and introspection.
Fleming is making her directorial debut in Colorado working with young artists on Mozart’s “Così Fan Tutte,” an opera in which she appeared early in her career.
Wilson, who died this week at 83, created works of otherworldly dreaminess that were also very human.
By: Luke Vander Ploeg, Diane Wong, Wendy Dorr, Sophia Lanman, Zachary Woolfe, Alex Barron, Natalie Kitroeff, Dan Powell, Tina Antolini
For the soprano Lise Davidsen, parenthood has turned her relationship to work – and to her art – into an open question.
