Adrian Gomez

Alfonso Cuarón knows a thing or two about being at the helm of a project. The Oscar winner’s latest project, “Disclaimer,” is currently streaming on Apple TV+. The series is based on the novel of the same name by Renée Knight.

Luis Contreras found art in middle school. At the time, his medium of choice was painting and drawing.“I doodled a lot,” he says. “I always had teachers that would encourage me to keep moving my art forward.”

D ecades later — history is still being uncovered. This is what filmmakers Brad Lichtenstein and Yoruba Richen discovered while working on their latest project, “American Coup: Wilmington 1898.”

It was time for a change of venue. After 15 years at Hotel Albuquerque, the annual Pennies for the Homeless fashion show has a new home and a revised vision.

of 4 I t's been nearly a decade since Zachariah OHora began the work on “Carl the Collector.”

Over the course of more than two decades in the music industry, David Berkeley has learned many things. For his ninth album, “A Pail Full of Fire,” Berkeley knew exactly what he wanted and recorded the album in Eugene, Oregon, in June.

In 1999, the Encinias family — known for its footprint in flamenco — began a journey with a simple word — yjastros. Translating to “stepchild,” the company name was chosen because it reflected a sense of being related yet distinct.

Ken Burns is a curious man. For decades, the director has revolutionized documentary filmmaking with his own take on a subject. While he and his team have brought the Vietnam War, jazz, country music, among many others, his latest project is focused on a non-American. The documentary explores the life and work of the 15th century polymath Leonardo da Vinci.

Love. Tolerance. Power of education. These are three key themes to Rodgers and Hammerstein’s iconic musical “The King & I.”

Lidia Bastianich knows her way around the kitchen. The award-winning TV host, author, restaurateur and chef is back with a PBS special, “Lidia Celebrates America: Changemakers.” It will air at 8 p.m. Tuesday, Nov. 26, on New Mexico PBS, channel 5.1. It will also be available to stream on the PBS app.