Aimee Lucido is a journalist and writer who focuses on political and cultural commentary. She writes for The New Yorker and covers a range of topics including politics, arts, and current events. Her articles often delve into the intersection of art and politics, providing insightful analysis and critique.
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United States (National)
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Based on Aimee Lucido's coverage, she focuses on culture & society and entertainment news with a significant portion of her articles exploring evolving stories, announcements, legal policy regulation, and expert commentary. If you are looking to reach out to her, consider providing insights or perspectives related to the cultural landscape in the United States. Topics such as politics, family dynamics, heritage-related issues or developments would likely align well with her areas of interest.
Given that she covers both evolving stories and legal policy regulations frequently but has not specified any geographic focus beyond national level (United States), it is advisable for potential sources reaching out to provide insights within the context of US politics and societal trends.
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By: Charles Bethea, Richard Brody, Nathan Heller, Helen Shaw, Susan B. Glasser, Lauren Michele Jackson, Aimee Lucido, Inkoo Kang, Timothy Snyder, Jia Tolentino
The audience gets what it paid for in both the musical adaptation of the 1992 film, with Megan Hilty and Jennifer Simard, and a new show about the treadmill of life.
By: Jia Tolentino, Aimee Lucido, Inkoo Kang, Nathan Heller, Charles Bethea, Richard Brody, Timothy Snyder, Lauren Michele Jackson, Susan B. Glasser, Parker Yesko
A second Trump Administration could give impunity to American soldiers who commit atrocities.
By: Richard Brody, Jia Tolentino, Nathan Heller, Inkoo Kang, Lauren Michele Jackson, Timothy Snyder, Charles Bethea, Susan B. Glasser, Aimee Lucido
Also: Interpol’s “Antics” turns twenty, Kyle Abraham fills Drill Hall, new work by the photographer Jeff Wall, and more.
By: Richard Brody, Antonia Hitchens, Jia Tolentino, Nathan Heller, Inkoo Kang, Lauren Michele Jackson, Timothy Snyder, Aimee Lucido, Susan B. Glasser, Charles Bethea
Since Election Day, the Florida club has played host to a rotating cast of characters from MAGA world, all vying for positions of power.
She gets every cultural reference, from brat to Brat Pack, from simp to “The Simpsons,” from skibidi to yabba dabba doo. She adorably believes that “Snatched” is a thriller starring Liam Neeson.
By: Charles Bethea, Nathan Heller, Aimee Lucido, David Remnick, Susan B. Glasser, Lauren Michele Jackson, Inkoo Kang, Jia Tolentino, Richard Brody, Timothy Snyder
“The Thanksgiving Play” is a comedy on an awkward subject, and a sendup of liberal good intentions. The staff writer Vinson Cunningham speaks with the playwright Larissa FastHorse.
By: Charles Bethea, Nathan Heller, Aimee Lucido, David Remnick, Susan B. Glasser, Lauren Michele Jackson, Inkoo Kang, Jia Tolentino, Richard Brody, Timothy Snyder
The writer explains how she took up quilting to help her cope with terrible news, and the science behind why it works.
By: Nathan Heller, Inkoo Kang, Susan B. Glasser, Richard Brody, Aimee Lucido, Jia Tolentino, Lauren Michele Jackson, David Remnick, Charles Bethea, Timothy Snyder
The Supreme Court Justice talks with David Remnick about the decline in public trust and questions about the Court’s ethics code, and how Justices get along in a very partisan era.
By: Charles Bethea, Eric Lach, Nathan Heller, Aimee Lucido, Susan B. Glasser, Lauren Michele Jackson, Inkoo Kang, Jia Tolentino, Richard Brody, Timothy Snyder
From the daily newsletter: Eric Lach on the state of the hush-money conviction. Plus: Antonia Hitchens reports from Mar-a-Lago; Matt Gaetz and the early lessons of Trump 2.0; and revisionist fantasies in “Wicked” and “Gladiator II.”
By: Henry Alford, Adam Gopnik, Jennifer Gonnerman, Samanth Subramanian, Saïd Sayrafiezadeh, Lisa Russ Spaar, David Sedaris, Robert Sullivan, River Clegg, Aimee Lucido, Inkoo Kang, David Remnick, H. C. Wilentz, David Lehman, Emily Nussbaum, Helen Shaw, Margaret Talbot, Ben Mcgrath
An archive of reporting, profiles, criticism, fiction, and cartoons from The New Yorker’s print magazine.
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