Alexis Soloski is a Culture Reporter at The New York Times. She specializes in arts and entertainment, with a strong focus on theater, film, and pop culture, drawing from her extensive background as a theater critic and her academic expertise in English and comparative literature. Her work has been featured in various publications, including The Guardian, The Boston Globe, and The Irish Times.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
United States (National)
Not enough data
Alexis Soloski focuses on covering local entertainment news, particularly theater performances and actors. Given her emphasis on reviews and event coverage, she would likely be interested in receiving pitches related to upcoming or ongoing theatrical productions, exclusive interviews with actors or insights into the local entertainment scene.
Consider pitching story ideas that align with Soloski's focus on theater, plays, performances, and actors within the United States. Pitches should offer unique angles such as behind-the-scenes access to productions or profiles of emerging talent within the local entertainment industry.
This information evolves through artificial intelligence and human feedback. Improve this profile .
On a spring afternoon, I sat beside a burbling creek and waited for someone to die, violently.
By: Alexis Soloski
On a gilded morning in mid-June, actress Octavia Spencer, 56, sat at a table in a hotel restaurant in midtown Manhattan. In a tweed blazer over a snow-white blouse, she
By: Alexis Soloski
It took years for her to be cast as “the main character,” but she considers that the industry's loss. Her latest series is the action comedy Ride or Die
By: Alexis Soloski, George Etheredge
The creative team behind a revival of the rock musical celebrating teenage love and angst turned to open auditions as they cast the show.
By: Brett Gundlock, Alexis Soloski
The creator of the new young adult series “Sterling Point” trusts her young performers. She used to be one of them.
Shakespeare in the Park stages this melancholic comedy, which gives us a good excuse to spend time with Raúl Esparza and Lily Rabe as king and queen.
The show’s focus on a women’s squad mirrors a broader increase in the popularity of women’s team sports. Now the series faces a challenge: pleasing old fans while welcoming new ones.
By: Brian Karlsson, Alexis Soloski
Eric Goode’s latest docuseries about the lurid business of exotic animals is also his most personal, not least for examining his own complicity.
Recently, Jessica Williams was on location in a Pasadena, California, backyard, shooting a scene for the upcoming fourth season of “Shrinking,” the Apple TV grief-com. Her character, Gaby, was chatting
Last year Daniel Parslow, a former soccer coach, hosted a tryout.
