Jackson McHenry is a critic at Vulture. He has been covering theater, film, and television since 2015, focusing on the arts and entertainment landscape, particularly plays, musicals, and the film industry. Jackson's work has been featured in Magzter, Vulture, and MSN.
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Jackson McHenry's coverage is heavily focused on entertainment news, particularly theater and related events. He predominantly provides reviews and event coverage in the entertainment industry.
Given his focus on theater reviews and upcoming plays and musicals, he might be interested in pitches that offer exclusive insights into behind-the-scenes of productions or interviews with prominent figures within the theater community. Additionally, if you have a unique angle or access to exclusive information about upcoming shows or significant developments in the world of theater, Jackson may find it appealing for potential coverage.
As there isn't a specific geographic focus stated for Jackson's work, pitches can be tailored to cover international as well as local events within the entertainment industry.
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Mindy Kaling’s latest seems to ask, ‘Would you watch a sitcom about everyone you swipe past on Hinge?’
A thin membrane separates the realms of the sane and the insane, and a person may discover they've crossed it almost by accident.
The Other Bennet Sister spends a lot of its running time poking fun at the hallowed genre of the British period drama.
On The Other Bennet Sister, Mary Bennet would’ve thrived without a husband, too, says star Ella Bruccoleri.
“Dear God in heaven, what the hell just happened?” Dale Dickey asks as she gets on the phone to discuss her first-ever Emmy nomination, for playing
Where would musical theater be without gleaming little prop vials of potions? You need one to grant immortality in Death Becomes Her , to show off
James Norton graduated from a charmer in British period pieces to House of the Dragon’s new menace.
James Norton graduated from a charmer in British period pieces to House of the Dragon 's new menace.
A reinterpretation of Whoopi Goldberg’s astonishing 1984 breakthrough show and a meta-musical about turning awful history into good theater.
Her new show at the Lortel is informed by an intense medical experience.
