Alyssa Miller is a contributing writer for No Film School and ScreenCraft. With a diverse background in journalism and entertainment, Alyssa's articles cover a range of topics including film analysis, interviews with industry professionals, and reviews of the latest movies. Her work has been featured in WIBW TV, Comic Book Resources, and PSP℠ Limited.
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Alyssa Miller's articles primarily cover the film industry, with a focus on filmmakers, movie production, screenwriting, and cinematography. Her coverage also includes expert commentary and event coverage.
If you are considering reaching out to Alyssa Miller with a pitch or story idea, consider offering insights from experts in the film industry who can provide valuable commentary on various aspects of filmmaking such as screenwriting techniques, cinematography trends, or emerging talents within the field. Additionally, if there are upcoming events related to film festivals or significant developments in the entertainment world that align with her coverage themes of entertainment news and gaming (to a lesser extent), these could be potential areas for effective pitching.
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By: Alyssa Miller
M. Night Shyamalan’s Trap shows that there is still room for a high-concept story in the traditional cat-and-mouse genre.
By: Alyssa Miller
The success of 'It Ends With Us' proves that romance screenplays are still worth writing if you include this one element in your story.
By: Alyssa Miller
Discover how screenwriters can turn contest feedback into a powerful tool for building portfolios and securing representation.
By: Alyssa Miller
'Borderlands' struggles at the box office, while video game adaptations thrive on TV. Here’s how to adapt a video game for the screen.
By: Alyssa Miller
'Borderlands' struggles at the box office, while video game adaptations thrive on TV. Here’s how to adapt a video game for the screen.
By: Alyssa Miller
This is what screenwriters can learn from the twenty films Francis Ford Coppola recommended on his Letterboxd.
By: Alyssa Miller
Learn how to master how and when to write music into your screenplay from the needle drop moment in 'Beetlejuice Beetlejuice.'
Chris Sanders shares his process of adapting 'The Wild Robot' and how starting with the ending shapes his storytelling approach.
By: Alyssa Miller
Nora Fingscheidt, writer and director of 'The Outrun,' discusses the creative challenges she faced while adapting the memoir for the screen.
By: Alyssa Miller
Film journalist Al Horner sits down with ScreenCraft to discuss his mission behind Script Apart and his efforts to highlight screenwriters.
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