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Anamika Chatterjee
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Anamika Chatterjee

Deputy Editor, WKND/Features

AS SEEN ON
Khaleej Times

Preston's Summary

Anamika Chatterjee is a Deputy Editor for WKND/Features at Khaleej Times, focusing on local stories and features in the United Arab Emirates, specifically Dubai. She has also contributed to Zawya and her work has been featured in Calhoun Times. Anamika's articles cover a wide range of topics including art, culture, sports, entertainment, and social issues, with a particular emphasis on showcasing the diverse and vibrant society of the UAE.

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Geo Focus

Coverage Attributes:

Beta
Expert Commentary: 26 %
Event Coverage: 18 %
Private Sector Announcements: 8 %
Profile Feature: 8 %
Opinion Editorial: 8 %

Themes Covered:

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Most Recent Topics:

  • Beauty Industry
  • Fine Art
  • Journalism
  • Media
  • Press

Pitching Insights

Anamika focuses on local lifestyle and entertainment news, with a particular emphasis on art, cinema, and culture. She frequently includes exclusive content and expert commentary in her articles.

Given her focus on the United Arab Emirates (UAE) and topics such as South Asian diaspora, cinema, Bollywood, and art, she would likely be interested in pitches featuring local artists or cultural events that celebrate diversity within the UAE. Additionally, individuals who can provide expert insights into the nuances of Arab society or offer unique perspectives related to these themes may capture her attention.

It's clear that Anamika values exclusivity in her coverage; thus offering access to unique stories or interviews with prominent personalities from diverse backgrounds could enhance your outreach efforts.

This information evolves through artificial intelligence and human feedback. Improve this profile .

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Articles

Khaleej Times

Booker Prize-winning Georgi Gospodinov on why political pasts need not be reinvented

Booker Prize-winning Georgi Gospodinov on why political pasts need not be reinvented

By: Anamika Chatterjee

For someone who responds to the contention that Bulgaria might just be the saddest place in the world, Georgi Gospodinov is surprisingly cheerful. Like most self-assured thinkers and writers, Gospodinov is happy to take gentle digs at what he calls the ‘Bulgarian sorrow' (“we are champions of sorry,” he remarks) and possesses the ability to dissect social and political milieus to show how these impact people's lives. Sample this: his 2011 novel

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