André Hereford is a journalist at Metro Weekly. He focuses on arts and entertainment, covering a wide range of topics including theater, film and cinema, and the intersection of artificial intelligence in the arts. His work has been featured in various publications, showcasing his insights into celebrities, comedy, nightlife, and the film industry.
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Washington, D.C., United States (Local)
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André Hereford's coverage predominantly consists of entertainment news, particularly album reviews and expert commentary on music-related subjects. Given this focus, he may be interested in pitches that offer unique perspectives or insights into the music industry, including new releases, artist profiles, and trends within the sector.
Considering his expertise in providing reviews and expert commentary focusing on local (Washington D.C.) entertainment events and productions might increase visibility for your pitch. Offering exclusive access to local artists or behind-the-scenes stories related to concerts or album launches could be appealing to André.
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Round House's rousing Sally & Tom uses witty backstage comedy and a game ensemble to probe the contradictions of America's past.
Steph Del Rosso's domestic dramedy offers humor and humanity but never generates enough dramatic momentum.
An environmentally-conscious mom in midlife crisis crashes her daughter's household in Mosaic's too-reserved comedy "Precarious"
Blending family drama with expressive 3D animation, Bouchra tells the tender story of a queer Moroccan jackal living in NYC.
Adrian Chiarella's debut imagines conversion therapy as a demonic curse, but its chilling premise proves stronger than its execution.
Keegan Theatre's spirited cast embraces every onstage disaster with expert comic timing and unwavering commitment.
Signature strikes an emotional chord with the elegantly structured, intimately staged drama What Became of Us.
The British actor talks comedy, coming out, and his U.S. debut in Studio's 'Feeling Afraid As If Something Terrible Is Going to Happen.'
David Wain's celebrity-packed farce throws everything at the wall, but too few of its rapid-fire jokes stick.
"Here: Pride and Belonging in African Art" is on view through Aug. 23 at the National Museum of African Art.
