André Hereford is a journalist at Metro Weekly. He focuses on arts and entertainment, covering a wide range of topics including theater, film and cinema, and the intersection of artificial intelligence in the arts. His work has been featured in various publications, showcasing his insights into celebrities, comedy, nightlife, and the film industry.
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Washington, D.C., United States (Local)
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André Hereford's coverage predominantly consists of entertainment news, particularly album reviews and expert commentary on music-related subjects. Given this focus, he may be interested in pitches that offer unique perspectives or insights into the music industry, including new releases, artist profiles, and trends within the sector.
Considering his expertise in providing reviews and expert commentary focusing on local (Washington D.C.) entertainment events and productions might increase visibility for your pitch. Offering exclusive access to local artists or behind-the-scenes stories related to concerts or album launches could be appealing to André.
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Ask E. Jean answers nearly all of our questions about the woman who took Trump to trial and won, repeatedly.
The playwright discusses My Favorite Sociopath, journalistic ethics, and why Florida is the future of America.
Olivia Wilde and Cooper Hoffman ignite Gregg Araki’s audacious satire of sex, power, and art-world absurdity.
The flatly acted queer Aussie neo-noir "Body Blow" gets lurid and twisted, but not in the way we like it.
An '80s suburban family faces rampaging dinosaurs in David Robert Mitchell's suspenseful sci-fi survival thriller.
Theater Alliance’s outdoor production celebrates the folk legend’s enduring music and message, even when the drama falls short.
In Rio, the global HIV community warned that lifesaving breakthroughs mean little if the people who need them cannot access them.
Keegan Theatre’s uneven but affecting production traces a lifelong friendship shaped by love, loneliness, and pain.
The bisexual rapper talks life after being outed, his new album It’s Been Awful, and why he won’t disappear for another five years.
Christian Montgomery’s electrifying Frank-N-Furter powers a fun, frisky, and immersive production at Dance Place.
