Erinmarie Reiter

“Ha ha ha ha ha ha ha” at the La Jolla Playhouse presents a uniquely bespoke performance to every audience, making it nearly impossible to summarize, but wonderfully easy to watch bloom in front of your eyes. It's weird, and that’s wonderful.

The Fairytale Monologues' possesses an interesting idea and genuine potential while championing voices too often left out.. It may still be finding its final form, but this is a fairy tale worth continuing to tell.

'Dive Bar Time Machine' is about love, joy, community, and the simple pleasure of being in a room together. Come ready to have fun; after all, sometimes the best time machine is a great song.

Interview with playwright Jennifer Jonassen on her new play 'Exquisite Pressure,' about an ardent Tennessee Williams fan who discovers that her daily visits to the playwright’s statue can lead to the unexpected.

'Much Ado About Nothing' is funny, energetic, musical, and remarkably approachable without sanding away Shakespeare’s language. Is it a millennial fever dream? I don't know. But everyone was having a great time.

“Hell’s Kitchen” at Broadway San Diego is an exuberant, moving celebration of art, ambition, family, and the people who help you find your voice.

In many ways, I am the target audience for We Will Rock You. I love Queen, I love theatre, and I love me some questionably bad sci-fi plotting. And yet, even I found myself wondering how much I was willing to overlook for the sake of the music.

This 'Guys and Dolls' makes one thing very clear: at Moonlight, the audience wins.

When 'Water for Elephants' embraces the magic of the circus—the impossible made possible through acrobatics, illusion, movement, and extraordinary puppetry—it is absolutely captivating.

San Diego Musical Theatre’s 'Rock of Ages' is a delightfully ridiculous blast of ’80s hair-band camp filled with talented performers, big vocals…