The rapper and producer has become a pariah, running for President and praising Hitler. A new documentary gives insight into what went wrong.
Andrew Marantz is a staff writer at The New Yorker. He writes extensively about technology, politics, and the press, while also exploring themes of comedy, music, and pop culture. His work has been featured in outlets such as RealClearMarkets, TED Conferences, and The Lawfare Institute, and he is the author of “Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation.”












