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Andrew Tracy
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Andrew Tracy

Associate Editor

AS SEEN ON
Realscreen

Preston's Summary

Andrew Tracy is an associate editor at Realscreen. With a rich background in film and cinema, he has extensively covered topics related to documentaries, television, and the arts and entertainment industry. His writing and reporting have been featured in notable outlets such as Cinema Scope, Sight & Sound, and Film Comment.

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Geo Focus

Coverage Attributes:

Beta
Press Release: 44 %
Private Sector Announcements: 32 %
Event Coverage: 8 %
Promotional Deal: 6 %
Exclusive: 4 %

Themes Covered:

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Most Recent Topics:

  • Broadcast Media
  • Broadcast Networks
  • Broadcasting Industry
  • Film Industry
  • Filmmaking
  • Filmmaking Equipment
  • Journalism
  • Media
  • Press

Pitching Insights

Andrew Tracy's coverage focuses on entertainment news, with a significant emphasis on press releases and private sector announcements. This indicates a preference for industry-related news such as acquisitions, leadership changes, and new content launches within the television and documentary sectors.

Given this focus, Andrew may be more responsive to pitches that offer exclusive insights into upcoming documentaries or films, details about major industry moves (acquisitions or key executive appointments), and news related to streaming platforms' original content strategies.

Since there is no specific geographic focus mentioned for Andrew's coverage area, consider tailoring pitches to appeal to an international audience interested in developments within the global entertainment industry.

This information evolves through artificial intelligence and human feedback. Improve this profile .

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Articles

Realscreen

RadicalMedia, Dirty Dozen prep sub disaster doc

RadicalMedia, Dirty Dozen prep sub disaster doc

By: Andrew Tracy

Dirty Dozen Productions, an international film and TV prodco that specializes in underwater filmmaking and cinematography, has partnered with Academy Award–winning studio RadicalMedia for a premium documentary project on the ...

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