Annie Armstrong is a reporter and Wet Paint columnist for artnet. With a focus on the art world, Annie's articles cover a range of topics including artist profiles, art events, industry gossip, and analysis of current trends. Her work has been featured in publications such as the New York Times, GQ Magazine, and New York Magazine.
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Annie Armstrong’s articles predominantly focus on art, exhibitions, and the art market. Given her frequent event coverage and profile features, she may be interested in pitches that offer unique access to artists or behind-the-scenes insights into upcoming art events.
Given Annie's extensive coverage of entertainment news alongside topics related to content & publishing, she might also be open to pitches highlighting interesting collaborations between artists and other industries such as film, fashion, or technology.
As there is no specified geographic focus for Annie's articles, sources from various locations with relevance to the global arts scene can potentially capture her interest.
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Paris Internationale and the Salon by NADA and the Community got a piece of the action during a high-octane Art Basel Paris
By: Annie Armstrong
He penned cult classics and was a notoriously fractious art critic for the Village Voice from 1985 to 1988.
Annie Armstrong files her Wet Paint column from Art Basel Paris, where she checks in with David Zwirner, mysterious dealers, and more.
By: Annie Armstrong
Plus, which Chelsea gallery is closing their location uptown? And which pop star is Klaus Biesenbach speaking to?
“I was learning Italian art terminology when I was like, six." Annie Armstrong Share This Article
By: Annie Armstrong
Plus, which senior Pace staffer jumped ship for a smaller Tribeca gallery? And which Hollywood star was spotted in Downtown galleries?
By: Callie Keener, Brian Blackwell, Annie Armstrong, Scott Barkley, Tom Strode, Tobin Perry, Brandon Lake, Phil Wickham, Diana Chandler, Lonnie Wilkey, Tessa Sanchez
I remember my mentor in ministry telling me when I was in my early twenties that if I could do anything else, I should do that. He warned me there would be days that I wished I was working in any other sort of job. He was right. But I couldn’t do anything else–or rather—I couldn’t without feeling I was running from God, and he agreed that was a sign that God was calling me to be a pastor.
By: Annie Armstrong
Plus, which gallery's "spiritual partner" got spirited away? And which artist nearly made Ed Ruscha break into tears at Dia's gala?
Plus, Art Basel announces the exhibitors for its 2025 Hong Kong edition and Leonora Carrington's "cat woman" sculpture is up for sale.
Plus, Maurizio Cattelan's banana heads to Sotheby's and two countries announce their representing artists for the 2026 Venice Biennale.
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