Asher Luberto

Movies are a form of escapism. Despite some being realistic or based on real events, movies have always been able to transport us to other places.

Not all great movies have great endings, just as not all terrible movies have terrible endings.

Who’s ready for a trip down the streets of Rome, Amityville, the films of Brad Pitt and Federico Fellini? Every month in Los Angeles there are retrospective showings, and among this month’s films are Jaws, Roman Holiday and Princess Mononoke, playing at theaters within driving distance of Angelenos. So hop in your car and get ready to brave traffic — these wonderful classics are worth seeing on the big screen.

How many minions does it take to screw on a lightbulb? The same amount of minions it takes to screw audiences out of 13 bucks at the theater. There are countless yellow henchmen in Despicable Me 4, but their imbecile slapstick is more wearisome than wonderful, and you may start to feel worn down by the amount of childishness on display.

Who’s ready for a trip down the Yellow Brick Road, the Matrix and the films of Brad Pitt and Hayao Miyazaki? Every month in Los Angeles there are retrospective showings, and among this month’s films are The Wizard of Oz, The Matrix and Princess Mononoke, playing at theaters within driving distance of Angelenos. So hop in your car and get ready to brave traffic — these wonderful classics are worth seeing on the big screen.

If you look up “movie star” in the dictionary, there’s probably a picture of Alain Delon. There’s never been a greater example of star power — the infectious aura that helps the audience not only watch you, but feel you, adore you and admire you the way a little girl admires her favorite boy band. With wonderful infatuation, we watched Delon light up the screen.

If you look up “movie star” in the dictionary, there’s probably a picture of Alain Delon. There’s never been a greater example of star power — the infectious aura that helps the audience not only watch you but feel you, adore you, and admire you the way a little girl admires her favorite boy […]

Hold your breath, your sighs and your yawns. The start of this horror flick is actually quite good, building tension the way a shadow unfolds on a prairie, expanding a mountainous shade until the entire valley is cloaked in darkness. As for the rest of this Hold Your Breath? Well, now you can let out your sighs and your yawns — this wonderful intro crumbles into a pile of dust.

There are great musicals. There are bad musicals. And then there are the musicals that never get the credit they deserve...until now. Our list is here to give you the musicals that never made it to Broadway.

It’s safe to say that Disney has officially run out of ideas. The studio known for its creativity and imagination has become a vision of monotony. Ever since moving toward IP-driven entertainment, the studio has put the dumb in Dumbo, the disenchanting in Disenchanted, and now the moan in Moana, with a sequel that follows a wonderful original with a stagnant sea of familiarity.