Ashley Cullins is a Senior Business Editor at The Hollywood Reporter. With a background in journalism from Medill, Ashley specializes in covering the entertainment industry, including film, television, and music. Her work has been featured in publications such as Billboard and Yahoo Sports UK.
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United States (National)
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Ashley Cullins focuses on legal and entertainment industry news, with a particular emphasis on exclusive insights. She is likely to be responsive to pitches that offer unique perspectives or access to high-profile individuals within the media, Hollywood, and entertainment sectors.
Given her coverage of legal policy regulation, she may also be interested in stories related to significant legal developments within the entertainment industry or insightful analysis from credible sources with expertise in law and its intersection with the media world.
As Ashley does not have a specific geographic focus but covers US-related content, it would be beneficial for potential sources pitching her to provide context relevant specifically to US-based businesses or figures within the entertainment and legal industries.
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Split rights, windows and co-prods — once unheard of in winner-takes-all streaming — are back, along with lessons from Taylor Swift and Glen Powell
Deepfakes of the famous shilling junk are everywhere online, leaving, says one WME partner, a 'terrible game of whack-a-mole' to fight
By: Ashley Cullins
Deepfakes of the famous shilling junk are everywhere online, leaving, says one WME partner, a 'terrible game' to fight
By: Ashley Cullins
As streamers ship series elsewhere, lawyers and producers vent, and the state (finally) takes action. Plus: Tax incentives to still grab this year — even in Cali!
A top CAA and WME rep reveal how to gain the most leverage, own your IP, assess the buyers and understand the post-correction market
Rapid changes rock talent lawyers, agents and execs as big money pours in, Newsom legislates Hollywood's future, and studios get 'exactly what they wanted'
Investment now comes with commitment to the Kingdom's rules as its $925B Public Investment Fund refuses to be treated like dark money — or the next China
By: Ashley Cullins
The Blumhouse CEO’s brutally honest convo about the state of the industry
Asteria Film wants to bring budgets down and backend to animation. Natasha Lyonne and Will McCormick are onboard. Still, reps have questions
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