Ben Beaumont-Thomas is a Music Editor at The Guardian. He covers a diverse range of topics within the arts and entertainment sector, including music, film and cinema, and cultural issues, while also addressing themes such as crime and sexual exploitation. Ben's work has been featured in various outlets including The Irish Times, Yahoo Sports, and the Irish Examiner.
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Ben Beaumont-Thomas focuses on event coverage and reviews within the entertainment industry, specifically in music, R&B, boybands, British artists, and album releases. His articles cover a wide range of topics related to current events in the music world.
To reach out effectively to Ben Beaumont-Thomas, consider providing insights into upcoming music events or exclusive access to new album releases or artist interviews. Additionally, if you represent an up-and-coming artist or band breaking into the British music scene, offering an interview opportunity could be appealing to him.
Given his focus on entertainment news and reviews with a specific emphasis on British artists and album releases within the R&B genre and boybands space reaching out with unique stories about emerging talents or insider perspectives can be effective for engagement.
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The 40th anniversary version of Band Aid's Do They Know It's Christmas? has failed to enter this week's Top 40, reaching No 45.
The year's breakout indie star, Jake Lenderman has a voice like the last roll of the die.
The race for Christmas No 1 is hotting up as over half of the songs in this week's Top 40 are Christmas-themed.
By: Ben Beaumont-Thomas
Taylor Swift's Eras tour has been confirmed as the most commercially successful tour of all time, raking in more than twice as much revenue as the previous record-holder.
By: Ben Beaumont-Thomas
Pop singer’s 149-date tour, which ended on Sunday in Vancouver, more than doubles the previous record for a completed tour
By: Ben Beaumont-Thomas
Their rhythms push and pull between destruction and creation, frontman Tunde Adebimpe is as magnetic as ever: this is no cynical anniversary cash-in
By: Ben Beaumont-Thomas
No cause of death given for artist whose track We Are IE had a huge impact on the breakbeat-driven, bass-focused sound of jungle, drum’n’bass and dubstep
Tyler, the Creator contends with parenthood and Sabrina Carpenter is a Nashville-meets-disco girl of our dreams, as we continue the countdown of the year’s best albums
Duo’s Andrew Ridgeley celebrates success of song that is ‘almost as much a part of Christmas as mince pies, turkey and pigs in blankets’
The mysterious and theatrical singer’s monumental 32-track album is a parallel dimension of nostalgic pop, its pristine tunes rivalling the greats of the 20th century
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