Bob Grimm

Beatles ’64, on Disney+, covers well-worn territory, but this Martin Scorsese-produced documentary offers something for even the most ardent fans.

Here tells the entire story of one parcel of land, from dinosaur times up until the modern day, without moving the camera.

Oh, the once-great Robert Zemeckis. The man who gave us Back to the Future has gotten into a bit of a rut by putting technological advancements in front of good storytelling and solid filmmaking.

Juror #2 is a true end-of-the-year surprise, a courtroom drama that is unpredictable and tensely paced—something notable from one of the old masters.

Rebecca Koon. Nicholas Hoult and Cedric Yarbrough in Juror #2.

It’s Christmas, and a TSA agent (Taron Egerton) is in for a tumultuous workday in Carry-On, a well-intentioned but ultimately boring airport thriller from director Jaume Collet-Serra ( Black Adam, Jungle Cruise).

The movie surrounding him is merely decent—but Timothee Chalamet is so incredible as Bob Dylan in A Complete Unknown that he elevates the film.

Director Robert Eggers keeps rolling with Nosferatu, a long-gestating take on the classic vampire tale.

Movie-wise, 2024 got off to a slow start—but some late-year releases redeemed things somewhat.

Pamela Anderson gives a great performance—one that’s sometimes unhinged and out there—in The Last Showgirl. It’s the first time I can think of that she’s disappeared into role. She really goes for broke—and scores.