Cate McQuaid is an art critic at The Boston Globe. She focuses on arts and entertainment, with a particular emphasis on art, bringing insights and critiques to her audience. Cate's work has also been featured in Ocean in a Drop.
Preston is the artificial intelligence that powers the Intelligent Relations PR platform. Meet Preston
Boston, United States (Local)
Not enough data
Not enough data
Cate McQuaid's coverage primarily centers around art, galleries, artists, photography, and museums in the local Massachusetts area. She often provides expert commentary and covers events related to entertainment news, culture & society as well as lifestyle.
If you are an artist or curator with a unique perspective on local art scene developments or have insights into cultural trends impacting the Massachusetts arts community, your input may be of interest to Cate for potential profile features or event coverage. Additionally, if you're involved in the opening of new galleries or exhibitions in Boston and its surrounding areas, reaching out to her might be beneficial.
Consider offering story ideas that align with her focus on showcasing local talent within the arts while also highlighting social and cultural aspects intertwined with these artistic expressions.
This information evolves through artificial intelligence and human feedback. Improve this profile .
By: Cate McQuaid
“We made a set of rubies,” said Howard Merlin, Boston Ballet's director of costumes. “But diamonds and emeralds we're renting from National Ballet of Canada.”
Matthew Lau was marked as a failure as a student in Asia. Then he found music.
Donnell Patterson helped found New England Conservatory's Millennium Gospel Choir, which celebrates its 25th anniversary with a performance at the MFA next month.
By: Cate McQuaid
At his day job as a tour guide for the Freedom Trail Foundation actor and comedian Rob Crean wears a tricorn cap, waistcoat and knickers.
By: Cate McQuaid
GLOUCESTER– “I have three rules in life,” said David Coffin. “No office. No meetings. No necktie.”
By: Cate McQuaid
Rebecca Hutchinson summers in Montana, which has inspired large, delicate sculptures of prairie grass and sugar beets.
In her work and activism, Emily Sara is on a leading edge of artists calling disability a “powerful generative force.”
By: Cate McQuaid
The artist behind “Ahab's Head: American Vengeance” at the New Bedford Whaling Museum sees “a whole new level of vengefulness” in Trump's second term.
By: Cate McQuaid
Themes of safety — and its lack — are at the heart of Ileana Doble Hernandez's work.
By: Cate McQuaid
Her work was highly praised. Picasso and Brancusi were mentors. But she dropped out of the art world to paint her own vision.
