Chad Collins is a staff writer at Dread Central. He covers a range of topics including the film industry, filmmaking, and entertainment news, with additional contributions to outlets like SlashFilm, Gayly Dreadful, Council of Zoom, and Rue Morgue. Chad's work has also been featured in Dread Central Media, LLC, MSN, and EIN Presswire.
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Chad Collins primarily covers entertainment news with a focus on thriller and horror movies as well as streaming platforms. His articles include reviews, industry-specific updates, and announcements related to the entertainment industry.
If you have insights into the latest developments in the world of thrillers or horror films, particularly those tied to streaming platforms or noteworthy industry trends, Chad would likely be interested in hearing from you. Additionally, if you can offer unique perspectives on forgotten or underappreciated films within these genres, your input may resonate with him.
While specific geographic focus is not indicated for Chad's coverage area, his topics are generally internationally relevant due to their connection with popular media that transcends borders.
This information evolves through artificial intelligence and human feedback. Improve this profile .
!['Dante' Review: One Bad Night, One Good Thriller [Tribeca]](https://www.dreadcentral.com/wp-content/uploads/2026/06/full_Dante_Ester_Y_Chino_clean_16x9.jpg)
By: Chad Collins
Hugo Ruíz's 'Dante' is an unflinching, seedy odyssey of crime, carnage, and desperation. Read our Tribeca review here.
Norwegian creature feature 'Kraken' delivers a few Kaiju-sized thrills, but it's too indebted to yesterday's blockbusters to soar.
![Aliens are Friend and Foe in 'The Experiencers: Full Disclosure' [Review]](https://www.dreadcentral.com/wp-content/uploads/2026/06/a1a57e38e1c707d7c22fc5bb5460e9f18fb14a5a1c9ee40e77d05b437b62f640._SX1080_FMjpg_.jpg)
By: Chad Collins
Dean Alito's 'The Experiencers: Full Disclosure' is a fascinating, if uneven, documentary on people abducted by aliens.
Joshua Millican's 'Dopefoot' is a gnarly, pot-fuelled descent into rural madness and cryptid terror– and it's a must-read.
![Catherine Zeta-Jones Stuns as Theo in 'The Haunting' [Horror Crush]](https://www.dreadcentral.com/wp-content/uploads/2026/06/the-best-part-of-the-haunting-1999-is-catherine-zeta-jones-v0-rioguewotpgb1.jpg)
By: Chad Collins
Catherine Zeta-Jones' portrayal of Theo in Jan de Bont's remake of 'The Haunting' is an enduring (and queer) horror crush.
![Consumerism Terrifies in Hypnotic, Hallucinatory 'Sender' [Chattanooga Review]](https://www.dreadcentral.com/wp-content/uploads/2026/06/sender-359387.png)
By: Chad Collins
Russell Goldman's 'Sender' is a patient, disorienting watch about the horrors of consumerism and its insidious links to the self.
!['Night After Night's' Surreal Chills Deliver [Chattanooga Review]](https://www.dreadcentral.com/wp-content/uploads/2026/06/NightAfterNight_1.png.jpg)
By: Chad Collins
'Night After Night's' surreal, hypnotic horror might risk confusion, but Josh Lobo's feature remains a heady trip worth taking.
![Sci-Fi 'The Saviors' Aspires to 'The Twilight Zone' but Falls Somewhat Short [Review]](https://www.dreadcentral.com/wp-content/uploads/2026/06/Screenshot-2026-01-29-at-4.49.03-PM_1769737353085001akey-H-2026.jpg)
By: Chad Collins
'The Saviors' has lofty political ideals, though its 'The Twilight Zone' lite genre antics run astray in an uneven sci-fi outing.
!['Camp's' Quiet Queer Magic Enraptures [Chattanooga Review]](https://www.dreadcentral.com/wp-content/uploads/2026/06/CAMP_Avalon_Fast_Key_Still-FF_JPG_color_correct-scaled-e1781661636362.jpg)
By: Chad Collins
'Camp' is a quietly magical, lo-fi coming-of-age story whose supernatural undertones augment its big, beating heart.
By: Chad Collins
'American Psycho' filmmaker Mary Harron recently shared her favorite Dario Argento movie with Dread Central. What's your favorite?
