Katie Rife is a freelance writer and film critic based in Chicago. She has written for various publications including Vulture, IndieWire, Entertainment Weekly, and Rolling Stone. Her work covers a wide range of topics, from film reviews to discussions of queer subtext in literature and movies.
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Katie Rife's coverage is predominantly focused on providing reviews, particularly in the entertainment industry, with a strong emphasis on film and book-to-movie adaptations. Her articles often include evaluations of horror films, Godzilla movies, as well as unique topics such as "Frankensteins Ranked by Horniness" and "Thanksgiving Horror Movies."
Given her focus on reviewing films and their adaptations, she would likely be interested in engaging with individuals who can provide insightful commentary or behind-the-scenes information related to these productions. Pitches offering access to exclusive interviews or early screenings for review consideration may align well with her coverage.
While Katie is based in Chicago, she doesn't have a specific geographic focus evident from her article titles. Therefore, pitches should emphasize the relevance of the content rather than its location.
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A good paranormal documentary is honest about the nature of the phenomenon it's covering, which is that it's personal, intuitive, and inherently unprovable.
Subtle and intuitive, this A24 documentary about NYC psychics asks all the right questions.
By: Katie Rife
“ The Life of Chuck ” is a departure for Mike Flanagan , in the sense that it's not technically a horror movie.
By: Katie Rife
Ten years ago, Jennifer Kent's “The Babadook” opened a vein by exposing the dark side of motherhood from the mother's perspective.
A Hong Kong icon, feel-bad suburbia, De Palma’s LA sleaze, hazy late-night Manhattan and Shelley Duvall during the Depression make up this month’sShelf Life highlights.
Demi Moore and Margaret Qualley play flipsides of the same character, whose body and age become weaponized in The Substance.
By: Katie Rife
Some movies suffer because of bad timing. “ Shell ” wouldn't be a very good movie under any circumstances, but it fares especially poorly against
Although the film’s themes and horror are rote, creative choreography and strong performances from Julia Garner, Dianne Wiest, and Kevin McNally make it an entertaining watch.
Decades-late Rosemary's Baby prequel gets by on atmosphere and strong performances.
By: Katie Rife
The pressures of fame and social recognition continue into the afterlife in John Hsu's fun ode to East Asian horror films.
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