Chad Downs

RSCL, the Dutch DJ and producer, presents his latest track, “Can You Feel The Beat,” through Republic Records. This release follows a busy summer tour, filled with energetic performances and a new sense of global connection. RSCL aims to draw listeners in with deep, rich vibes, creating an unmistakable groove that energizes audiences.

Greywood's upcoming single, “Laugh Track,” is a dark, eerie addition to the bass genre. At 84 bpm, this halftime track brings a heavy, moody vibe perfect for the season. Its waltz-like rhythm adds a haunting touch to the deep bass, pulling listeners into a chilling atmosphere. The intricate layers reveal like an onion, something new with each listen—an unexpected twist or eerie undertone that keeps you hooked.

Carl Cox is ready to make Ultra Music Festival 2025 unforgettable with the world premiere of his ‘Evolution' live show. Forget the usual DJ sets—Cox is going fully live, using a mix of hardware and software to put a different spin on his music in real time. It's raw, it's free, and it's set to be the highlight of Ultra's 25th anniversary.

The song “DABADABADABADABA” by Excision and Dion Timmer delivers a high-voltage thrill ride, pulling listeners in with beats that demand attention from start to finish. The song opens with a hypnotic atmosphere before building into chaotic, pulse-pounding drops. There's a powerful mix of trap-infused segments, electric house rhythms, and techno vibes that can only be described as intense. This track has been a staple in their sets, captivating audiences every time.

Hydraulix and Tempa T link up for a fresh banger, “What Ya Gonna Do?” This track is a fearless meeting-of-the-minds, throwing together dubstep, grime, and jersey club into one explosive mix. With heavy-hitting bass moments and high energy throughout, it's made for those who love the darker side and know how to throw down. Hydraulix knew he had something special but needed the right vocal spark. When Tempa T jumped on it with his signature energy, the track instantly clicked.

Leotrix's EP, “MORTAL,” bursts onto the scene with a beautiful, well-woven fusion of experimental flair and nostalgic undertones. This six-track odyssey plunges into the depths of dubstep, intertwining vintage 140 BPM grooves with daring, intricate sonic textures. Tracks like “All The Tar Left” and “Ikigai” showcase Leotrix's ability for melding melodic hooks with his signature riddim punch. Meanwhile, “Puzzle Pieces” shifts the momentum, offering an ethereal breather amidst the EP's harder-hitting sections—a contemplative moment before the energy ramps up again with relentless power.

STVG's latest release, “Gnash,” bursts onto the scene with a raw and aggressive flair that reflects his distinct trap metal influences.

Alesso kicks down the door to a new era with “Lonely Heart,” featuring John Alto, exploding through his new label, Body Hi. “Lonely Heart” plunges headfirst into a dark, throbbing reimagining of Yes' 1983 classic, tearing away the gloss and injecting it with a moody, bass-heavy undercurrent. The blend of atmospheric house grooves with raw, rock-infused vocals creates a unique and compelling sound, redefining what fans can expect from Alesso's as it stands. This is Alesso embracing a sound that challenges conventional boundaries.

Ian Everson, a singer and producer from Los Angeles, is taking his career in a new direction, stepping forward as a solo artist after years of impactful contributions behind the scenes. His work, grounded and sincere, has always held a welcoming energy, appealing to listeners from all backgrounds with its therapeutic pop style.

VEIL drops her second single, ‘OVERLOAD,' from the debut album ‘HIGH VOLTAGE.' The Denver label Street Ritual backs this explosive track. ‘OVERLOAD' is pure chaos—robotic textures, laser effects, low-end bass, and distorted vocals. It pulls listeners into a hypnotic pit. This track diverges from her usual style, clocking in at 120 bpm. The album releases on November 22nd, and it promises to deliver more AZAL—expect intensity.