Charles Bethea is a staff writer at The New Yorker. He focuses on a range of topics including culture, society, and sports, often exploring political issues and local stories from Atlanta, such as the impact of Donald Trump and Herschel Walker. Bethea's work has been featured in outlets like RealClearMarkets and Arizona Public Media, and he is known for his insightful commentary in the "Letter from the South" column.
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United States (National)
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Charles Bethea's coverage spans culture, entertainment, lifestyle, and politics with a focus on evolving stories and expert commentary. Given his interest in opinion editorials and profile features, he may be interested in pitches that offer unique perspectives or personal experiences related to the topics he covers.
For example, if you have insights into cultural trends or societal shifts in the United States, can provide expert commentary on political developments or are involved in the arts scene (cartoons or art), your pitch is likely to resonate with Charles. If you have a compelling story related to any of these areas that has national relevance within the US context, it could also capture his attention.
Given his national focus on the United States, consider tailoring your pitches to reflect this geographic scope when reaching out to him.
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By: Joshua Rothman, Timothy Snyder, Susan B. Glasser, George Saunders, David Remnick, Hannah Jocelyn, Charles Bethea, Emma Green, John Cassidy, Eren Orbey, Benjamin Wallace-Wells, Rachel Maddow
From the daily newsletter: Nathan Heller on why details didn’t matter in this election. Plus: an ultra-contemporary artist; how Elon Musk rebranded Trump; and is the twentieth-century novel a genre?
By: Rachel Maddow, Emma Green, Nathan Heller, Joshua Rothman, Alexandra Schwartz, Charles Bethea, Susan B. Glasser, David Remnick, Naomi Fry, Timothy Snyder, Vinson Cunningham, Rebecca Mead, Benjamin Wallace-Wells
In the days since Donald Trump’s reëlection, art has offered a distraction for those reeling from the news. But what does it mean to turn away when circumstances demand our attention?
What sort of reply can one offer to a person who has already decided that the world ends here?
Also: Rachel Syme samples opulent advent calendars, Helen Shaw reviews “Tammy Faye” and “A Wonderful World,” “Emilia Pérez” is streaming, and more.
By: Jennifer Wilson, Nathan Heller, Marc Fisher, Rebecca Mead, Susan B. Glasser, Emma Green, Timothy Snyder, Inkoo Kang, Kyle Chayka, Charles Bethea, David Remnick, Rachel Maddow
The FX adaptation of Patrick Radden Keefe’s book captures both the allure of the I.R.A.’s cause and the way violence comes to weigh on its perpetrators.
By: Timothy Snyder, David Remnick, Emma Green, Nathan Heller, Jennifer Wilson, Kyle Chayka, Rachel Maddow, Rebecca Mead, Charles Bethea, Marc Fisher, Susan B. Glasser
The actress discusses starring in the new film adaptation of “The Piano Lesson,” Wilson’s play about the Great Migration and a family torn apart by inheritance.
By: Timothy Snyder, David Remnick, Emma Green, Nathan Heller, Clare Malone, Kyle Chayka, Rachel Maddow, Rebecca Mead, Jennifer Wilson, Charles Bethea, Marc Fisher, Susan B. Glasser
From the daily newsletter: Clare Malone on R.F.K., Jr.,’s health crusade. Plus: more on Trump’s extreme Cabinet; the naïveté of post-election despair; and the gripping drama of “Say Nothing.”
Kamala Harris spoke of creating an “opportunity economy,” a vague idea more likely to appeal to entrepreneurs than to struggling workers.
By: Emma Green, Andy Kravis, Doreen St. Félix, Charles Bethea, Rachel Maddow, David Remnick, Jennifer Wilson, Susan B. Glasser, Timothy Snyder, Nathan Heller, Marc Fisher, Kyle Chayka
“No Other Land” and “Union” are films that Hollywood and corporate America don’t want you to see.
Peter van Agtmael's images of war and domestic strife are arresting and almost cinematically spare, but it is the careful narrative arc of his new book, “Look at the U.S.A.,” that deepens the viewer's experience.
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