Chris Lester is an Editor and Journalist for Flatland, covering a wide range of topics including media, money, music, politics, sports, and technology. With a passion for random thoughts and random thinkers, Chris brings a unique perspective to his articles, providing readers with thought-provoking and diverse content.
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Chris Lester's coverage focuses on news related to Kansas City, with an emphasis on government and politics, business and industry, as well as privacy and cybersecurity. His articles often include press releases, event coverage, and government announcements.
If reaching out to Chris Lester for potential coverage or collaboration opportunities in these areas, consider providing newsworthy information about developments in the Kansas City area within the specified themes. This may include insights into local government policies or initiatives impacting businesses or cybersecurity trends specific to the region. If you represent a company making notable contributions or receiving grants related to these topics in Kansas City, sharing such updates could also be of interest.
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Kansas City PBS, in partnership with Report for America, has hired two additional reporters to expand coverage of rural issues and the ongoing fallout from the COVID-19 pandemic.
McClatchy Co., owner of the Kansas City Star, sought bankruptcy court protection from creditors early this morning, becoming the latest casualty in a financial crisis that has decimated the newspaper industry.
Kansas City PBS has been awarded a grant from Report for America that will help pay for expanded coverage of rural issues in the region.
McClatchy Co., the Kansas City Star’s owner, plans to stop printing physical newspapers on Saturdays in its 30 media markets — including Kansas City — by the end of 2020.
A devastating fire Saturday morning at Davey's Uptown Ramblers Club has prompted an outpouring of reaction among members of the Kansas City performing community.
Art House reviews Best Picture Oscar contender "Jojo Rabbit."
Flatland's curiousKC team explores where the artists are moving as the Crossroads become evermore commercialized.
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