Chris Omaweng

The audience is introduced to various office characters in a briskly paced, energetic and detailed performance from Conor Murray, whose delightfully engaging stage presence extends to making photocopies a charming chore.

Passionate, enthusiastic and inspiring, the mixture of songs and spoken word is seamless and intricate, and the evening drew to a close with a standing ovation well deserved.

The production is briskly paced, reflective of the youthfulness of the cast and the characters they play, and with twenty-six musical numbers crammed into a two-hour running time (there is an interval) it’s remarkable that it doesn’t feel rushed.

It's the circus! What was I supposed to expect, misery? It’s the kind of rich, light entertainment needed in the rather depressing world in which we live.

I wrote some of this review sat in a local café, during one of those ‘summer’ days where the wind

Above all, there was the sense that the cast were thoroughly enjoying themselves, which ultimately rubbed off on the audience. It would have taken a very hard heart indeed not to have come away with a smile on one’s face.

It’s an enthusiastic and enjoyable production, one of those musicals with a substantial feelgood factor.

An entertaining evening of wit and nostalgia with spot-on comic timing, delivered at a pace brisk enough for contemporary audiences to enjoy...

The Ballet Nights team are slicker than ever, and the showcase evenings seem to have hit a confident stride.

I felt invested in these characters as they worked their way through some of life’s intriguing challenges. A thoughtful yet facetious production.