Christine Howey is a journalist and theater critic who focuses on the local theater scene in Cleveland, Ohio. She writes for Scene Magazine, a publication under Times-Shamrock, and covers a wide range of theater productions, providing insightful reviews and commentary on the performances, storytelling, and overall impact of the shows.
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Cleveland, United States (Local)
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Christine Howey focuses on covering theater and performance arts, with a strong emphasis on event coverage. She may be receptive to pitches related to upcoming local shows, behind-the-scenes features about productions or theaters in the Cleveland area, profiles of key figures in the theater community, as well as analysis of cultural commentary within theatrical performances.
Given her focus on local events and artists within the Cleveland area, consider pitching stories that directly relate to this geographic region. Additionally, offering unique insights into specific productions or trends in theatrical performances could resonate well with Christine's coverage preferences.
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By: Christine Howey, Aja Joi Grant
A reverend returns home to grab his inheritance back from a racist, and the laughs and insights follow
By: Christine Howey
The work from Pulitzer Prize winning Lanford Wilson is a milestone piece of gay theater
By: Christine Howey
Retaining some of the old charm, the version with modern language makes a mess of Shakespeare's classic work
By: Christine Howey
Diamond fans will enjoy the 30 tunes. Anyone looking for more will be disappointed
By: Christine Howey
A group of guys gather for gay sexcapades at a spooky motel. And somehow, nothing much happens
By: Christine Howey
A nun's crisis of faith plays out in a Bronx soup kitchen amid very real issues
By: Christine Howey
And a huge bump in the road along the way, of course
By: Christine Howey
What we do between now and Nov. 5 will have a serious impact on the lives of real people
By: Christine Howey
The songs fall flat and the jokes don't land in this tale of teenage angst based on the movie
By: Christine Howey
"This Dickens play is a story of redemption, and that's powerful for these women," says Lara Mielcarek of The Artists Rehabilitation Coalition
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