Christopher Malcolm is a Staff Writer at Fstoppers. He focuses on areas such as photography, arts and entertainment, and technology, often exploring topics related to Instagram, AI, and Sony. Christopher's work has been featured in various publications, showcasing his expertise and passion for the visual arts.
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Los Angeles, United States (Local)
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Christopher Malcolm's focus is on providing reviews, press releases, and product promotions in the photography and filmmaking industry. He would likely be interested in receiving pitches related to new camera equipment releases, innovative artistic processes or techniques, and business-related topics within the photography and filmmaking industry.
Given his emphasis on product promotions and reviews, he may be receptive to pitches about new or improved photography or filmmaking tools that can enhance efficiency or creativity. Additionally, pitches discussing business strategies for photographers could also resonate with him based on his coverage attributes.
Christopher does not specify a geographic focus but seems to cover international products and businesses in the photography field.
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Today, Nikon has announced the next generation of its DX line of cameras with the new Nikon Z 50II.
You've poured your blood, sweat, and tears into your art. Now, it's time to make sure it is preserved.
By: Christopher Malcolm
Being a professional photographer is about more than just the exposure triangle. I made a mistake today.
By: Christopher Malcolm
This week, Fujifilm announced the development of a new camera designed with filmmakers in mind, the Fujifilm GFX Eterna. The camera builds on Fuji's GFX line of medium format still cameras but will be focused on video capture and is aimed at independent filmmakers and documentarians.
By: Christopher Malcolm
Blackmagic Design has made two price drops, one permanent and one temporary, that might be of interest to those of you who use DaVinci Resolve Studio to bring your video projects to reality. I love DaVinci Resolve Studio. I know this because, while teaching a recent course on post-production and reaching the section of the course on color grading in Resolve, one of my students apparently noticed a certain unconscious glimmer in my eye as I discussed all the possibilities. We were half-joking, of course, but the product has truly become an indispensable part of my filmmaking workflow.
Today, Laowa has introduced a new line of cinema lenses to the cinematography market. And these have a major perk: macro capabilities. Picking the perfect lens has always been the most important part of any film project. Are you picking for clarity or character? Are you going anamorphic or spherical? What is your subject, and what is the correct tool to capture the action? If you’ve read my reviews in the past, you’ll know that I’m not big on specs. But there is one spec when it comes to lenses that is unavoidable: What is the minimum focusing distance?
By: Christopher Malcolm
Today, I'll share a quick look at my simple solution to a sometimes convoluted process. Timecode is absolutely essential to filmmaking.
I’ve gotten to spend some time getting to know Canon’s newest flagship camera, the Canon EOS R1. And I’ve got thoughts. The term “flagship” is an interesting one. Taking its name from the ship chosen to lead a nautical mission, in terms of cameras, a “flagship” is usually the embodiment of the absolute best technology a company has to offer. In the DSLR days, “flagship” cameras were always really easy to tell apart from the rest of the line. Usually larger bodies. Often built-in battery grips. The best in weather sealing. The best autofocus.
By: Christopher Malcolm
A new line of full-frame anamorphic lenses has just hit the market. Get ready for the Venus Optics Laowa Nanomorph T2.9 1.5x LF Anamorphics. Anamorphic lenses have long been a staple of filmmakers looking to add scope and scale to their productions. They were originally introduced to take better advantage of the full resolution (or detail, as analog isn’t really about “resolution”) by capturing the full film frame to be desqueezed later.
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