Dais Johnston is a staff writer at Inverse, where they cover entertainment and culture with a focus on international media and social justice. Their diverse background as a military child lends a global perspective to their storytelling, which spans themes in arts and entertainment, including film, theater, and popular series like Star Wars and Game of Thrones. Dais's work has also been featured in BUST.com and The Belladonna.
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Dais Johnston predominantly covers entertainment news and gaming, with a focus on expert commentary and reviews. To effectively reach out to Dais, consider providing unique perspectives or insider insights into upcoming sci-fi TV shows, thrillers, streaming services, or gaming trends. Engage in pitches that offer exclusive interviews with industry insiders or access to early previews of highly anticipated content.
For those working in the entertainment industry such as actors, directors, producers, and studio executives who have valuable insights about the latest developments in Disney properties (including Marvel), offering them as sources for commentaries on these topics could be appealing to Dais's coverage interests.
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Jod and the kids make their first stop on their journey back home.
How do you adapt a mangum opus to streaming? According to Netflix, very carefully.
Star Wars loves a surprise cameo. Celebrity sightings have skyrocketed in the Disney+ era — one episode of The Mandalorian alone saw roles filled by Jack Black, Lizzo, and Christopher Lloyd
Sometimes, the most impressive monsters are the ones that go unseen. This is as true in Star Wars as anywhere else; the dianoga in the trash compacter is barely glimpsed but still terrifying, and the threat of the Sarlacc is so fearsome it even (temporarily) consumed the great Boba Fett.
By: Dais Johnston
The most tense, gossipiest, campiest thriller of the year is finally streaming.
Fallout became one of the greatest video game adaptations ever not because of how closely it stuck to the source material, but because of how much it strayed. Because Fallout is an open-world game, every player has a different experience of the story. Instead of trying to choose one path or somehow combine all the possibilities, the Fallout
By: Dais Johnston
Damon Lindelof's take on superhero stories got the only ending it could've: complicated, surreal, and satisfying.
Apple's most interesting dystopia won't go away any time soon, but that does come at a price.
A horror hit is slowly being spun off into something greater, possibly even rivaling the biggest franchises.
MCU shows on Disney+ have always tried to innovate, but a new series harkens back to the past.
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