Dan Duray is a journalist who writes for Observer, covering the art world and exhibitions. His articles provide insights into various art shows, museum exhibitions, and interviews with curators and artists. Duray focuses on bringing attention to noteworthy art events and sharing his expertise in the field.
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Dan Duray's coverage heavily focuses on art, with an emphasis on art exhibitions, museums, and the art market. He frequently covers specific events and announcements within the arts world.
Considering his strong focus on event coverage and expert commentary in the field of art, Dan would likely be interested in pitches that offer exclusive access to artists or curators involved in high-profile exhibitions. Additionally, he may appreciate insights from established experts within the arts community who can provide unique perspectives or analysis related to ongoing trends or significant developments within the art world.
Given Dan's broad interest in various aspects of visual arts across different locations, a wide range of topics such as emerging artists, innovative exhibition formats, or global industry trends could capture his attention for potential features.
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Don't miss this soon-to-close show that explores how the African American story is constructed from a diversity of imagery and materials.
“It is a truism that great dreams require extraordinary teams.”
By: Dan Duray
The exhibition collects new and recent works that approach native identity with a postmodern attitude.
By: Dan Duray
"I'm excited about this new exhibition because it is pretty different from the works shown in Venice, and I can open up to more experimentation."
This show of forty sculptural works plus more than seventy photographs and drawings aims to introduce the underknown visionary to a wider world.
The “Chaos and Order: The Way of Johnnie To” film series is at MoMA through October 13.
Each of the artists whose work is featured in this exhibition has found a wider and unique depth in their mimetic studies.
By: Dan Duray
The institution recently acquired a major gift of documentation and ephemera related to the massive 1983 artwork by Christo and Jeanne-Claude.
Her nature studies and cityscapes are no less elegant. Across all her work, Kanaga seems to have been conscious that she was capturing a world that was in the process of dramatic change, which underlined the importance of capturing the quiet moments, the most fragile ones. This could be seen too in her portraits of artists like
Galleria Mattia De Luca recently opened “Time Suspended II,” an ambitious show of work by Giorgio Morandi
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