Dan Duray is a journalist who writes for Observer, covering the art world and exhibitions. His articles provide insights into various art shows, museum exhibitions, and interviews with curators and artists. Duray focuses on bringing attention to noteworthy art events and sharing his expertise in the field.
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Dan Duray's coverage heavily focuses on art, with an emphasis on art exhibitions, museums, and the art market. He frequently covers specific events and announcements within the arts world.
Considering his strong focus on event coverage and expert commentary in the field of art, Dan would likely be interested in pitches that offer exclusive access to artists or curators involved in high-profile exhibitions. Additionally, he may appreciate insights from established experts within the arts community who can provide unique perspectives or analysis related to ongoing trends or significant developments within the art world.
Given Dan's broad interest in various aspects of visual arts across different locations, a wide range of topics such as emerging artists, innovative exhibition formats, or global industry trends could capture his attention for potential features.
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The artist's 'Comedian' is being sold as an ephemeral installation, where its value resides in a certificate of authenticity and the right to recreate the work.
By: Dan Duray
The work of this astute political cartoonist, painter and printmaker still feels relevant today.
The exhibition offers enough of Sendak’s in-process work that you can feel the influence of other artists he loved.
By: Dan Duray
Observer caught up with Meslay to chat about the impact of a recent major gift from the foundation of late longtime supporter Aso Tavitian.
By: Dan Duray
said of her just-debuted mural at 550 NW 24th St. in the neighborhood's Art District as part of the sixth edition of Wynwood Mural Fest. “It's literally the realization of a dream. Not just anyone gets an opportunity like this. To have a mural here, you need to earn your space.”
Our very own Dan Duray is on the ground in Miami and shares his must-see favorites.
By: Dan Duray
We caught up with Shvo, who is an avid art collector, to learn more about the newly renovated property and its arts programming.
(2010) of course features Afros and is described in the catalogue as “cutting through the gendered chrono fabric of the present to evoke the warm horizons of myriad possible futures.” Perhaps, but gazing at it for an extended period one can't help but notice just how much past there is in it. Her herbaceous background is reminiscent of the patches found in Neo-Expressionism, the blocks of color almost like Ellsworth Kelly's. There's a bit of Cubism, there's a bit of collage, there's really a bit of everything.
By: Dan Duray
"One of the mistakes museums have made in the past is to frame Indigenous art and material culture through the settler-colonial lens of erasure or historicism."
My favorite works that I didn't know about include a commission from an American bank to make a work for their collection.
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