Dana Stevens is a movie critic at Slate. She covers a range of topics within the arts and entertainment sphere, with a particular focus on film, theater, and cultural commentary. Dana's work has been featured in prominent publications including Slate Magazine, Los Angeles Times, and The Atlantic.
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Dana's articles predominantly cover lifestyle and entertainment, with a focus on film reviews and expert commentary. She seems to be interested in unique angles related to actors, films, and the Oscars.
Given Dana's focus on reviewing movies and providing expert commentary on them, she would likely be receptive to pitches from industry professionals who can offer insights into filmmaking processes or share behind-the-scenes stories about movie productions. Additionally, experts who can provide analysis of current trends in the film industry might capture her interest.
As Dana primarily covers lifestyle and entertainment topics without a specific geographic focus indicated, relevant sources could hail from anywhere as long as they have compelling insights into the themes covered in her articles.
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By: Dana Stevens
The new movie from the director of Past Lives doesn’t want to rescue the rom-com so much as interrogate it.
By: Dana Stevens
The new movie from the director of Past Lives doesn’t want to rescue the rom-com so much as interrogate it.
By: Dana Stevens
It's all too easy to hate Claire, the character played by Sydney Sweeney in Echo Valley, Apple TV+'s new thriller, written by Brad Ingelsby (creator of Mare of Easttown ) and directed by Michael Pearce.
By: Stephen Metcalf, Dan Kois, Dana Stevens
Is it a match? Materialists isn’t so sure.
By: Dana Stevens
Horror fans will delight in the gory zombie film. The 2002 release of Danny Boyle's 28 Days Later marked a turning point in the long cinematic tradition of zombie horror.
By: Dana Stevens, Stephen Metcalf, Julia Turner
28 Years Later, Danny Boyle’s latest post-apocalyptic thrill ride, is also a contemplative allegory.
By: June Thomas, Dana Stevens, Julia Turner
Sorry, Baby, Eva Victor’s sly breakout debut, is a hard-to-process film about unprocessable trauma.
The delightful new blockbuster is the franchise's best since Christopher Reeve.
The delightful new Superman movie is the best since Christopher Reeve.
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