Sonny Bunch is a Culture Editor at The Bulwark. He focuses on the intersections of film, cultural movements, and current affairs, contributing to discussions on pop culture, economic policy, and international affairs. His work has been featured in notable publications including The Washington Post, The Atlantic, and The Wall Street Journal.
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Sonny Bunch's focus on entertainment news, particularly movie reviews and expert commentary, suggests he would be most responsive to pitches offering in-depth analysis of movies and directors. If you have a unique perspective or insider insight into the film industry, including box office trends or historical fiction within cinema, this could pique his interest.
As Sonny does not specify a geographic focus, it is likely that he covers international topics within the realm of movies and entertainment. When pitching to him, consider how your expertise in a specific area of cinema can add value to his coverage without being limited by location.
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Sonny Bunch and Lt.
Sonny, I had another great suggestion for a war flick that had great leadership lessons....Mr Roberts. A great cast and superb insights on what is important in combat. Given to me by Melissa, one of the leaders of Principles First.
By: Jonathan Cohn, Sonny Bunch
Ebola is back.
BACKROOMS IS A DEEPLY WEIRD, tremendously effective piece of filmmaking, a visual representation of the fractured modern mind and the intense pressure we all find ourselves under each and every day.
JVL and Sonny Bunch take on Trump's "Freedom 250" disaster—the washed-up acts already bailing on the Great American State Fair, the UFC cage being built on the White House lawn, and why the whole spectacle looks less like a birthday party and more like something straight out of The Boys.
Jonathan Cohn and Sonny Bunch on 'Contagion,' 'And the Band Played On,' and 'Outbreak.'
SITTING IN A DALLAS THEATER on Wednesday night for a raucous, packed showing of Obsession , the new hit from YouTube wunderkind Curry Barker, I couldn't help but wonder if this is what the film industry felt like in 1968.
I love the idea of this film, but it sounds fucking TERRIFYING
YOUR TOLERANCE for Masters of the Universe will likely depend on how funny you find it for a character called “Fisto”—because he has a giant fist, you
