David Bloom is a Senior Contributor at Forbes and other prominent outlets. Based in Los Angeles, he specializes in tech, media, and entertainment, with a focus on telecommunications, broadcasting, and journalism. David's insights and expertise have been featured in various publications, including TVREV, The Seattle Times, and Yahoo News.
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David Bloom's articles predominantly focus on the entertainment industry, including media companies, streaming services, Hollywood, and sports. His coverage also includes press releases and cited data.
For effective outreach to David Bloom, consider providing insights or analysis related to emerging trends in the entertainment industry or significant events impacting media companies and streaming services. You may also offer perspectives on the intersection of technology with content creation and distribution.
When reaching out to David Bloom, it's important to highlight any relevant data that supports your pitch, as he frequently cites such information in his articles. Keep in mind that he covers a broad range of topics within entertainment and sports industries without specifying a geographic focus.
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The celebrity-backed mega-startup Colossal Biosciences took a big step toward one of its major species de-extinction projects, unveiling an artificial
The Los Angeles film industry is struggling, but Vancouver's similar sector is thriving with a mix of industry attention, government support and educational pipelines.
'Whispers,' the latest tech-fueled creation from Emmy winner Bernie Su, synthesizes AI prompts from its audience to generate a unique experience.
Also in our flagship newsletter covering all things technology, media and telecom, the DOJ wages a hollowed-out legal fight against China's Huawei, and Scott Pelley reminds us that things were even worse under the Sedition Act of 1798
Comcast said it will split into two companies for "flexibility," which may be Brian Roberts' code for "future dealmaking." Who might be suitable candidates for a deal?
Record U.S. viewership for FIFA's World Cup is fueling an intense bidding war for the 2030 and 2034 tournament TV rights. Major tech and media giants like Netflix, Amazon, Apple, Fox, Comcast, and Disney are all vying for the combined English and Spanish language package, which FIFA is offering for two cycles. While the current World Cup saw unprecedented North American audiences, future tournaments in Europe/South America and Saudi Arabia may present viewership timing challenges. Incumbent broadcasters Fox and Comcast face financial complexities from recent acquisitions and planned spin-offs, potentially hindering their bids against deep-pocketed tech companies. The US rights alone could command $1.5 billion to $2 billion, making this a high-stakes contest.
A Wells Fargo analyst suggests Disney exit the streaming business, arguing it could boost share prices by 40% and unlock billions in content licensing revenue. Steven Cahall believes Disney should return to its core strength of producing content rather than distributing it, simplifying its business model. However, internal reports indicate Disney is exploring opposite strategies, including embracing live-TV bundles, offering content on rival platforms, and even free tiers. CEO Josh D'Amaro faces pressure to redefine Disney's strategy, as streaming has been costly and hasn't significantly improved stock performance, unlike past activist investor interventions. The broader streaming market is challenging, with declining engagement and consumer cost concerns pushing companies like Disney to consider radical alternatives.
Versant Media is transforming Fandango into a free ad-supported streaming TV (FAST) platform, leveraging live sports to compete with services like Tubi and Roku Channel. The company, spun off from NBCUniversal, launched a "We love free" campaign for the rebranded Fandango. A major five-year deal with Germany's Bundesliga will bring over 300 soccer matches to Fandango and USA Network, complementing its existing English Premier League partnership. These free-to-stream sports aim to attract viewers and advertisers, boosting carriage negotiations. Fandango will also feature 3,500 hours of content from Versant's cable networks, including Golf Channel and MS Now. This strategy seeks to retain Fandango's 50 million monthly movie ticket visitors and expand its audience, with Versant actively pursuing more sports rights beyond the costly NFL.
Peacock's adaptation of Elin Hilderbrand novel "The Five-Star Weekend" set a record for viewership on the streaming service, which has ordered a second season.
Adobe expanded its relationship with OpenAI, announcing a ChatGPT plug-in featuring 70 of its creativity and productivity programs.
