Richard Rushfield is the Editor In Chief at The Ankler. He specializes in the realms of arts and entertainment, with a focus on the film industry, filmmaking, and pop culture, while also covering broader themes in culture and society. Richard's insights and commentary have been featured in The Ankler, The Bulwark, and The Greatest Living American Substack.
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Richard Rushfield's articles predominantly cover entertainment news, with a focus on Hollywood, awards shows, the film industry, and Hollywood executives. His coverage includes expert commentary and opinion editorials.
Given this focus, Richard would likely be interested in pitches from individuals who have deep insights into the trends shaping the entertainment industry or can provide compelling expert commentary on significant developments within Hollywood. Additionally, he may be receptive to exclusive interviews with influential figures in the entertainment world or pitches that offer unique perspectives on ongoing trends within the industry.
As his geographic focus is not specified but given his coverage of Hollywood which is centered in Los Angeles, it could be beneficial for sources to have connections to or insights about happenings within this region when reaching out to him.
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It's the point of no return for Paramount-WBD amid the family's web of entanglements
By: Richard Rushfield
Entertainment reporter Richard Rushfield on the future of showbiz
By: Richard Rushfield
The television hero on 50 seasons of the industry-changing reality show, and what comes next
Marc Platt, Michael Moses, Parvati Shallow and more on the rules for surviving from those who've actually done it
Jane Fonda, James Ellroy, RZA and others on finding your voice, ignoring ‘cool' kids and making work only you can
Hollywood rolled over for every upheaval before this one. But this fight became different
For six years now , everything that's happened with the box office — even everything good — has been couched in a hangdog, post-Covid air.
Yesterday, I was mostly positive about the state of movies; now, let's get to reality.
The dog days of summer get a bad rap. But the eighth month has long been where the most interesting cinema thrives
Kathleen Kennedy quietly convened Oscar winners, actors, studio execs, Silicon Valley — and me. Now our first public framework draws a line in favor of human-controlled AI
