Debanjan Dhar is a writer for High On Films, specializing in film reviews and analysis. With a keen eye for detail and a passion for cinema, Debanjan provides insightful and thought-provoking critiques of various films, exploring their themes, endings, and overall impact on the audience.
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Debanjan Dhar predominantly covers film festivals, movie reviews, international films, independent films, and documentaries. He mostly focuses on providing reviews of these entertainment-related topics.
If you have a new independent or international film releasing at a festival or in general that aligns with Debanjan's coverage area, reaching out to him for review consideration would likely be the most effective approach. Additionally, if you have insights into the themes and endings of movies that he has covered previously or similar films within his scope of interest, this might spark his interest as well.
As Debanjan seems to focus on reviewing specific movies and their endings rather than broader entertainment news such as celebrity gossip or industry trends; it's important to tailor pitches accordingly.
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By: Debanjan Dhar
Payal Kapadia’s film locates the many fault lines underpinning womanhood and intimacy in contemporary India
By: Debanjan Dhar
Apartment 7A (2024) is an unnecessary horror prequel that takes the classic horror film and does nothing new to standout.
By: Debanjan Dhar
This absorbing probe into the State-Maoist guerrilla yoke loses its edge in a lumbering wind-up
Discover Lisandro Alonso's Eureka, a mysterious film exploring native lives and representation through surreal narratives.
By: Debanjan Dhar
To Close Your Eyes And See Fire (2024) delves into the complex relationship with home, revealing chaos and the fragility of safety.
By: Debanjan Dhar
The Todd Phillips musical aims for bold gambles but ends up unprovocative and listless
By: Debanjan Dhar
House of Spoils (2024) ends with the Chef embracing confidence and the old woman's regenerative powers to elevate her culinary vision.
By: Debanjan Dhar
Outlook Rating: The 1970s killings are turned into a needlessly measured series
By: Debanjan Dhar
Greg Jardin's “It's What's Inside” taps into the template of game nights that has hit a bit of a cultural flashpoint with the recent phenomenal
By: Debanjan Dhar
House of Spoils (2024) ends with the Chef embracing confidence and the old woman's regenerative powers to elevate her culinary vision.
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