Debanjan Dhar is a writer for High On Films, specializing in film reviews and analysis. With a keen eye for detail and a passion for cinema, Debanjan provides insightful and thought-provoking critiques of various films, exploring their themes, endings, and overall impact on the audience.
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Debanjan Dhar predominantly covers film festivals, movie reviews, international films, independent films, and documentaries. He mostly focuses on providing reviews of these entertainment-related topics.
If you have a new independent or international film releasing at a festival or in general that aligns with Debanjan's coverage area, reaching out to him for review consideration would likely be the most effective approach. Additionally, if you have insights into the themes and endings of movies that he has covered previously or similar films within his scope of interest, this might spark his interest as well.
As Debanjan seems to focus on reviewing specific movies and their endings rather than broader entertainment news such as celebrity gossip or industry trends; it's important to tailor pitches accordingly.
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By: Debanjan Dhar
The Coralie Fargeat-directed body horror film provokes but doesn’t cut deep.
By: Debanjan Dhar
Umjolo: The Gone Girl (2024) falters with cliched characters and weak storytelling, failing to explore its themes of infidelity.
By: Debanjan Dhar
Outlook at DIFF
By: Debanjan Dhar
Outlook at DIFF | Nidhi Saxena's film evokes impressions of a lifetime through ellipsis.
By: Debanjan Dhar
Outlook at DIFF
By: Debanjan Dhar
Teng I-Han's A Balloon's Landing (2024) is a story of two boys separated by distance and time eventually coming together by coincidence or fate.
By: Debanjan Dhar
Lead & Copper (2024) is a rigorous exposé on water hazards, diving deep into facts but faltering with its overly detached tone.
By: Debanjan Dhar
Light Memories & A Want in Hers (2024) deliver poignant explorations of family ties, emotions, and the complexities of connection.
The Dharamshala International Film Festival called off the screenings of films on Palestinian genocide.
By: Debanjan Dhar
The Merry Gentlemen (2024) ‘Netflix' Movie Review: So Banal That Even the Holiday Cheers Can't Save It IMDb , Rotten Tomatoes , Letterboxd
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