Don Kaye is a journalist at Inverse. With over two decades of experience in film journalism, he covers the film industry and filmmaking, drawing on his extensive background in horror and sci-fi genres. Don has been featured in notable publications such as Looper, Moviefone, and Den of Geek, showcasing his expertise in arts and entertainment.
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Don Kaye's coverage indicates a strong interest in exclusive content, with extensive focus on movie-related topics. He seems particularly interested in exclusive interviews and expert commentary related to movies, actors, and entertainment news.
Given his penchant for exclusivity, Don is likely to be more responsive to pitches offering unique opportunities such as exclusive interviews or access to behind-the-scenes information within the movie industry. Topics that explore the intersection of wrestling and acting may also pique his interest based on his previous articles.
As he does not have a specified geographic focus, it is important for outreach efforts to align with global appeal or relevance within the entertainment industry at large.
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It's an altered form of the original, made to appeal to western audiences — but what it accomplished cannot be understated.
Adam Scott finds himself trapped in an eerie Irish hotel in ‘Hokum,’ the thoroughly frightening third film from writer-director Damian McCarthy.
There's a decade between the Original Series and Trek's big screen revival. What did its creator do in the interim?
Director Curry Barker’s ‘Obsession’ unites familiar horror tropes with tense relationship drama in a claustrophobic and original if uneven mix.
High Noon meets Alien in this forgotten Sean Connery space western.
By: Don Kaye
It's been watched for six decades, and it might be watched for six more.
Ray Harryhausen’s magnum opus came out just as the tide shift for stop-motion effects was taking place in Hollywood.
The beasts shall reign over the Earth.
By: Don Kaye
Developmental woes, money, and studio concerns can make for fascinating changes to a text.
The Peter Jackson remake perhaps owes a debt to the much-maligned 1976 version
